Deep Shrestha's ' "Jhirma Uninu" was released on its scheduled release date, March 23, 2000. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 9 in Dristi by Deep Shrestha. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. Based on our statistics, Jhirma Uninu's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Jhirma Uninu by Deep Shrestha is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Har Raat Shirani Mero | Suresh kumar | C Major | 2 | 8B | 170 BPM | ||
| Bhautariyera Behosh Bhaye | Surendra Mukhiya, Deep Shrestha | E Major | 5 | 12B | 96 BPM | ||
| Mayalu Kasti Mayalu.... | Deepu Gurung | G Major | 7 | 9B | 156 BPM | ||
| Isarale Bolaunu | Bhupinder Singh, Deepa jha | A♭ Major | 8 | 4B | 102 BPM | ||
| Ye Ni Parana | Raju Singh, Uday Sotang, Manila Sotang | A Major | 4 | 11B | 126 BPM | ||
| Dosh Kasailai | Suk Gurung, Arun Thapa | F Major | 4 | 7B | 135 BPM | ||
| Royerai Basau Ki | Ram Krishna Dhakal | C Major | 6 | 8B | 76 BPM | ||
| Manai Mero Changa Bho | Manila Sotang, Udaya Sotang | B Major | 6 | 1B | 132 BPM | ||
| Kati Samjhaye | Adrian Pradhan | E Minor | 8 | 9A | 164 BPM | ||
| Chahana Sakiyo | Sashi Rawal | D♭ Major | 6 | 3B | 79 BPM | ||
| Yo Bato Kahan Jane Ho | Indrajeet Mijar, Bharati Ghimire | D♭ Major | 9 | 3B | 122 BPM | ||
| Tumi Amar Koto Chena-Version-1 | Sabina Yasmin, Andrew Kishore | D♭ Major | 4 | 3B | 96 BPM | ||
| Hayre Manush, Pt. 2 | Andrew Kishore | B Major | 5 | 1B | 86 BPM | ||
| Paschim Pokhara (From "Mr. Ram Krishne) | Umesh Pandey, Devika Bandana, Shambhujeet Baskota | B♭ Minor | 9 | 3A | 104 BPM | ||
| Soche Jasto Hunnna | Sadhana Sargam | A Minor | 8 | 8A | 93 BPM | ||
| Dandaile Chhekyo | Amrit Gurung-nepathya | A Major | 4 | 11B | 86 BPM | ||
| Bansuriko Dhun | Prakash Shrestha, Sangita Pradhan | G Major | 7 | 9B | 133 BPM | ||
| Tara Matra Haina Timi lai | Prem Dhoj Pradhan | D♭ Major | 6 | 3B | 117 BPM | ||
| Ma Ta Aba Risauchhu | Kumar Sanu | B Minor | 7 | 10A | 81 BPM | ||
| Nai Nabhannu La Male(From "Nai Nabhannu la 4") | Rajesh Payal Rai | D♭ Major | 7 | 3B | 78 BPM | ||
| Hurukkai Bhaye Ma | Rajesh Payal Rai | G Major | 7 | 9B | 121 BPM | ||
| Rituharuma Timi | Ram Thapa, Arun Thapa | B♭ Minor | 7 | 3A | 123 BPM | ||
| Kanchhi Ko Allare Jovan | Bidhan Shrestha | A Major | 4 | 11B | 74 BPM | ||
| Ghumti Ma Na Aau Hai | Premdhoj Pradhan | E♭ Major | 5 | 5B | 156 BPM | ||
| Baiguni Raichhau | Basanta Mukarung, Rajesh Payal Rai | G Major | 5 | 9B | 106 BPM |