Francisco Mignone, Andrea Monarda's '12 Studies for Guitar: I. Vivo' had a release date set for April 29, 2022. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Andrea Monarda's "Gnattali, Mignone: Complete Studies for Guitar" album is number 20 out of 31. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, 12 Studies for Guitar: I. Vivo is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 12 Studies for Guitar: I. Vivo by Francisco Mignone, Andrea Monarda to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bachianas brasileiras No. 1: III. Fugue. Conversa (Conversation) | Heitor Villa-Lobos, Nashville Symphony Orchestra Cellos, Andrew Mogrelia | C Minor | 1 | 5A | 91 BPM | ||
| Chansons grises: V. L'heure exquise | Reynaldo Hahn, Mischa Maisky, Daria Hovora | D Major | 0 | 10B | 83 BPM | ||
| Sixteen Waltzes for Solo Bassoon: 7. Improvised Waltz | Francisco Mignone, Frank Morelli | G Major | 1 | 9B | 63 BPM | ||
| Orfeo ed Euridice, Wq. 30, Act II: Danse des champs-elysées "Mélodie" (Arr. for Piano by Ignaz Friedman) | Christoph Willibald Gluck, Joseph Banowetz | A Major | 0 | 11B | 72 BPM | ||
| Moments of Poetry and Music: No. 2, Melody, Post scriptum | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | A Minor | 0 | 8A | 65 BPM | ||
| Piano Trio in G: IV. Finale (Appassionato) | Claude Debussy, Trio Parnassus | E Minor | 0 | 9A | 177 BPM | ||
| Violin Sonata in G Major | Francisco Mignone, Emmanuele Baldini, Lucas Thomazinho | D Major | 2 | 10B | 111 BPM | ||
| 3 Songs, Op. 7: No. 1. Apres un reve (arr. for cello and piano) | Anonymous, Gabriel Fauré, Maria Kliegel, Nina Tichman | F Minor | 0 | 4A | 95 BPM | ||
| 8 Pieces, Op. 39: No. 3, Berceuse | Reinhold Glière, Felix Froschhammer, Florian Rohn | A Minor | 0 | 8A | 178 BPM | ||
| I. Córdoba | Ernesto Lecuona, Yami CruzMontero | F♯ Major | 1 | 2B | 62 BPM | ||
| Piano Sonata in G Minor: 2. Adagio | Clara Schumann, Isata Kanneh-Mason | B♭ Major | 0 | 6B | 137 BPM | ||
| Nacht und Träume, Op. 43 No. 2, D. 827 (Arr. for Cello and Guitar by Anja Lechner and Pablo Márquez) | Franz Schubert, Anja Lechner, Pablo Marquez | G Major | 0 | 9B | 92 BPM | ||
| Bachianas brasileiras No. 1: II. Preludio. Modinha | Heitor Villa-Lobos, Nashville Symphony Orchestra Cellos, Andrew Mogrelia | D Minor | 0 | 7A | 80 BPM | ||
| Introduction and Allegro appassionato, Op. 92, for Piano and Orchestra in G Major: I. Langsam | Robert Schumann, Christian Zacharias, Orchestre de Chambre de Lausanne | G Major | 0 | 9B | 132 BPM | ||
| La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
| Minuet in C-Sharp Minor, D. 600 with Trio in E Major, D. 610 | Franz Schubert, Arcadi Volodos | F♯ Minor | 0 | 11A | 51 BPM | ||
| Intermezzo in A Major, Op. 118, No. 2 | Franklin Larey | A Major | 0 | 11B | 69 BPM | ||
| 「鏡」より 第1曲:蛾 | Maurice Ravel, 片山柊 | F Major | 1 | 7B | 73 BPM | ||
| Slavonic Dance for Four Hands in E Minor, Op. 72/2: Dumka (Allegretto grazioso) | Antonín Dvořák, Khatia Buniatishvili | C Major | 0 | 8B | 77 BPM | ||
| Violin Sonata in A Major: II. Andante | Francisco Mignone, Emmanuele Baldini, Lucas Thomazinho | F♯ Minor | 2 | 11A | 78 BPM | ||
| Karadec Suite, Op. 34: II. Chanson | Vincent d'Indy, Malmö Symphony Orchestra, Darrell Ang | E♭ Major | 0 | 5B | 71 BPM | ||
| 2 Pieces for the Left Hand, Op. 9: No. 2, Nocturne in D-Flat Major | Alexander Scriabin, Maria Lettberg | A♭ Major | 0 | 4B | 74 BPM | ||
| Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
| Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko' | Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint | F Major | 0 | 7B | 65 BPM | ||
| Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | C Major | 0 | 8B | 70 BPM |