Tristan Perich's ' "Just Let Go" was released on its scheduled release date, March 1, 2011. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 1-Bit Music, so we believe that "Just Let Go" is a single. Based on our statistics, Just Let Go's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Just Let Go by Tristan Perich is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rain | Nobuhiro Okahashi | B Minor | 6 | 10A | 135 BPM | ||
| To the Lighthouse | Hydroplane | D Major | 1 | 10B | 150 BPM | ||
| Distant Ort | Luis Reich | A Major | 3 | 11B | 94 BPM | ||
| On a Painted Ocean | Walt McClements | A Minor | 2 | 8A | 67 BPM | ||
| پسرفت (Chapter III) | Kinkajous | C Minor | 2 | 5A | 81 BPM | ||
| Fractal | Doon Kanda | B Minor | 2 | 10A | 123 BPM | ||
| Claustrophobia | Chris Carter, Ian Boddy | C Major | 5 | 8B | 160 BPM | ||
| Form 10.3 | K. Leimer | E Major | 0 | 12B | 77 BPM | ||
| Field House Deer (Mice) | M. Sage | D♭ Major | 4 | 3B | 88 BPM | ||
| sokokara | MEITEI | D Major | 1 | 10B | 49 BPM | ||
| Death, Reverb and Decay | Christina Vantzou, John Also Bennett, Oliver Coates | B♭ Minor | 1 | 3A | 76 BPM | ||
| TR / V | Trio Ramberget | B Minor | 2 | 10A | 123 BPM | ||
| Amen 1 | Jill Fraser | B♭ Major | 2 | 6B | 73 BPM | ||
| Embrace | Christopher Willits | F♯ Major | 0 | 2B | 88 BPM | ||
| La fin | Dictaphone | E Minor | 3 | 9A | 144 BPM | ||
| With Trees Where We Can See | KMRU | C Major | 0 | 8B | 115 BPM | ||
| The Flood | Yom | B Minor | 2 | 10A | 123 BPM | ||
| Beneath the Noise Floor - Part Two | Pye Corner Audio | A♭ Minor | 5 | 1A | 68 BPM | ||
| The Ceremonial Entrance of Colour | Kara-Lis Coverdale | G Major | 1 | 9B | 67 BPM | ||
| they fall because they must fall | Tashi Dorji | B Minor | 2 | 10A | 123 BPM | ||
| Infinity Gradient: Section 5 | Tristan Perich, James McVinnie | C Major | 4 | 8B | 84 BPM | ||
| Laundry Room | Brian Eno, Beatie Wolfe | E Minor | 3 | 9A | 138 BPM | ||
| Passengers | Sam Slater, Bendik Giske, Maria W Horn, Adam Betts | B Minor | 2 | 10A | 123 BPM | ||
| Gold Mine | Marta Del Grandi | B Minor | 2 | 10A | 123 BPM | ||
| Sleep Deprivation 42: White Noise Dissolution | The Black Dog | F Major | 0 | 7B | 90 BPM |