William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner's ' "Symphony in B-Flat Major, Op. 2 No. 7 "Pythian Ode": II. Moderato" was released on its scheduled release date, January 6, 2017. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Symphony in B-Flat Major, Op. 2 No. 7 "Pythian Ode": II. Moderato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 23 in Boyce: 8 Symphonies by William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Symphony in B-Flat Major, Op. 2 No. 7 "Pythian Ode": II. Moderato's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Symphony in B-Flat Major, Op. 2 No. 7 "Pythian Ode": II. Moderato by William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 5 in C Major: II. Andante | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A Minor | 1 | 8A | 159 BPM | ||
| Oboe Concerto in G Minor: Allegro | Giovanni Benedetto Platti, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 2 | 6A | 98 BPM | ||
| Concerto Grosso in G Minor, Op. 3, No. 10: III. Largo | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | G Minor | 0 | 6A | 125 BPM | ||
| Kommt, eilet und laufet (Easter Oratorio), BWV 249: Adagio | Heinz Holliger, Academy of St. Martin in the Fields | B Minor | 2 | 10A | 80 BPM | ||
| Concerto in B flat for Trumpet, Violin and Strings RV 548 (ed. Malipiero): II. Largo | Maurice André, Academy of St. Martin in the Fields, Sir Neville Marriner, Iona Brown | G Minor | 1 | 6A | 69 BPM | ||
| Punto: Horn Concerto No. 6 in E-Flat Major: II. Adagio cantabile | Giovanni Punto, Barry Tuckwell, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 0 | 5B | 57 BPM | ||
| Concerto Grosso In D Major, Op. 6, No. 7 : VI. Vivace | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Anna Holbling, Quido Holbling, Capella Istropolitana | D Major | 2 | 10B | 98 BPM | ||
| Konzert A-dur Für Oboe, Streicher Und Continuo, BWV 1055: Larghetto | Thomas Indermühle | F♯ Minor | 1 | 11A | 107 BPM | ||
| Concerto in D Major, S. 226: I. Allegro molto | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 122 BPM | ||
| Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM | ||
| Overture (Suite) In D Major, TWV 55:D15: VII. Gigue | Cologne Chamber Orchestra, Georg Philipp Telemann | A Major | 2 | 11B | 118 BPM | ||
| Symphony No. 59 in B-Flat Major: III. Presto | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A Major | 3 | 11B | 124 BPM | ||
| Concerti a cinque Op. 9 for oboe and strings, Concerto No. 8 in G major: II. Adagio | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | A Major | 1 | 11B | 75 BPM | ||
| Concerto in B-Flat Minor, Op. VIII No. 3: III. Allegro | Tomaso Albinoni, Combattimento Consort Amsterdam, Han De Vries | B♭ Major | 2 | 6B | 100 BPM | ||
| Concerto Grosso in F Major, Op. 3, No. 8: IV. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 1 | 8B | 140 BPM | ||
| Albinoni: Trattenimenti armonici, Op. 6: Trumpet Concerto No. 11 in B-Flat Major "San Marco": III. Andante (Arr. Thilde After Violin Sonata) | Tomaso Albinoni, Maurice André, Sir Neville Marriner, Academy of St. Martin in the Fields | G Minor | 1 | 6A | 80 BPM | ||
| Symphony No. 3 in C Major, Op. 2, "the Chaplet": I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 2 | 1B | 119 BPM | ||
| Concerto grosso in A minor, Op.8, No.2 - Rev. Abbado: 2. Largo | Giuseppe Torelli, Mariana Sirbu, Antonio Perez, I Musici | E Major | 4 | 12B | 116 BPM | ||
| Concerto grosso in D Minor, Op. 3 No. 5, HWV 316: I. Grave | George Frideric Handel, Iona Brown, Academy of St. Martin in the Fields | D Minor | 3 | 7A | 129 BPM | ||
| Concerto Grosso in C Minor, Op. 1, No. 2: I. Adagio | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Minor | 3 | 5A | 155 BPM | ||
| Concerto in F Major, S. 235: V. Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 122 BPM | ||
| Symphony in A Major, Op. 2 No. 2 "Birthday Ode": I. Allegro assai | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 3 | 12B | 133 BPM | ||
| Concerto grosso in G Major, Op. 3 No. 3, HWV 314: III. Adagio | George Frideric Handel, Iona Brown, Philippa Davies, Academy of St. Martin in the Fields | G Major | 2 | 9B | 152 BPM | ||
| Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: VII. Menuet | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | A Major | 1 | 11B | 122 BPM | ||
| Symphony No. 5 in D Major: 1. Allegro ma non troppo - Allegro assai | William Boyce, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 2 | 3B | 131 BPM |