"Comes Evening" by Hans Koller, Attila Zoller, Roland Hanna had its release date on 1979. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Trinity". In this album, this song's track order is #3. In terms of popularity, Comes Evening is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Comes Evening by Hans Koller, Attila Zoller, Roland Hanna having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| My Girl Bill | Benny Green | E♭ Major | 0 | 5B | 70 BPM | ||
| The Bitter Scent of Night | Nerra Vale | B♭ Major | 1 | 6B | 103 BPM | ||
| Ain't It The Truth | Gerry Mulligan Sextet | D♭ Major | 3 | 3B | 210 BPM | ||
| Opening | Hans Koller, The Big Band | F Major | 2 | 7B | 74 BPM | ||
| Blues for Joe (Live) | Albert Mangelsdorff, Egon Denu, Emil Mangelsdorff, Hans Koller, Helmut Brandt, Attila Zoller, Bill Grah, Horst Jankowski, Johnny Fischer | G Minor | 5 | 6A | 114 BPM | ||
| Barn Exhibition | Less is More | B♭ Minor | 1 | 3A | 69 BPM | ||
| Jamivore, Pt. V | Jazz Control | G Minor | 1 | 6A | 133 BPM | ||
| Branch Pulse | Tjazzy | C Major | 0 | 8B | 130 BPM | ||
| Unspoken | The Jazzest | E♭ Major | 1 | 5B | 94 BPM | ||
| So What | Lisa Hilton | A Minor | 4 | 8A | 141 BPM | ||
| All the Things You Are | Oscar Hammerstein II, Oscar Pettiford, Rolf Kühn, Jimmy Pratt, Hans Koller, Attila Zoller | F Minor | 4 | 4A | 99 BPM | ||
| Nowhere (For Bob Moses), Pt. 2 | Michael Gibbs | E Minor | 5 | 9A | 122 BPM | ||
| Spinning Vinyl | SwisUp | C Major | 3 | 8B | 144 BPM | ||
| Ella | Hans Koller | C Minor | 2 | 5A | 179 BPM | ||
| Between the Keys | Varnish Ritual | G Major | 1 | 9B | 67 BPM | ||
| Easy Coffee Jazz | Breakfast Jazz | C Major | 0 | 8B | 80 BPM | ||
| Cupcake | Benny Green | C Major | 1 | 8B | 95 BPM | ||
| Scarlet No. 2 | Hans Koller, Wolfgang Dauner | F Major | 6 | 7B | 113 BPM | ||
| The Monarch | Salma Del Sol | B Major | 3 | 1B | 183 BPM | ||
| 1' with HK (feat. Hans Koller) | Dominic Murcott, Hans Koller | D♭ Major | 4 | 3B | 148 BPM | ||
| Lo-Fi Eternity | MySOL | D♭ Minor | 0 | 12A | 130 BPM | ||
| The Gentle Mind | Pause maybe? | C Minor | 1 | 5A | 169 BPM | ||
| Horn Fever | Horn Society | E♭ Major | 3 | 5B | 179 BPM | ||
| Constellation, Pt. IX | Barrgo | A♭ Major | 1 | 4B | 84 BPM | ||
| 52Nd Street | Hans Koller, The Big Band | E Major | 4 | 12B | 83 BPM |