Till You Get There - Edit
Tasha LaRae, Jihad Muhammad
TASHA (The Edits)
3:58 November 1, 2019
BPM
125
Key
B♭ Minor
Camelot
3A

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Till You Get There - Edit by Tasha LaRae, Jihad Muhammad Song Details

On November 1, 2019, the song "Till You Get There - Edit" was released by Tasha LaRae, Jihad Muhammad. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "TASHA (The Edits)". In this album, this song's track order is #11. Based on our statistics, Till You Get There - Edit's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

BPM and Tempo

With Till You Get There - Edit by Tasha LaRae, Jihad Muhammad having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-5.619 dB
Acousticness
0%
Danceability
65%
Energy
89%
Instrumentalness
1%
Liveness
12%
Loudness
91%
Speechiness
5%
Valence
94%

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ISRC
UKF4C1601676
Label
L-M Records/RCA Records