Ajit Kadkade, Sujata Patwa, Madhuri Kande, Mangla Mhapuskar, Vidhya Tipnis's ' "Morya Sharan Tula Charni" was released on its scheduled release date, January 1, 1992. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Nartan Kari Ganraj". In this album, this song's track order is #8. Furthermore, we believe that the track originated from India. In terms of popularity, Morya Sharan Tula Charni is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Morya Sharan Tula Charni by Ajit Kadkade, Sujata Patwa, Madhuri Kande, Mangla Mhapuskar, Vidhya Tipnis having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jay Jay Ram Krishna Hari | Salil Kulkarni | D Major | 6 | 10B | 93 BPM | ||
| Pandharichya Sakhya Panduranga | Prahlad Shinde | G Minor | 4 | 6A | 93 BPM | ||
| Datun Kanth Yeto | Vasantrao Deshpande | A Major | 4 | 11B | 75 BPM | ||
| Pandurang Pandurang - From "Naamdar Mukhyamantri Ganpya Gawade" | Chandrshekhar Gadgil | B Minor | 5 | 10A | 145 BPM | ||
| Dibambara Digambara | Mahesh Hiremath, Shubhangi Joshi | E♭ Major | 5 | 5B | 173 BPM | ||
| Swaminchya Darbaari Kaay Kami | Ajit Kadkade | E♭ Major | 7 | 5B | 113 BPM | ||
| Vitthala Shappath | Rahul Deshpande | C Major | 4 | 8B | 123 BPM | ||
| Tujhe Dakya Karu | Baba Maharaj Satarkar | B♭ Major | 7 | 6B | 75 BPM | ||
| Jevo Gano Tevo Tamaro Putra Jani | Sachin Limaye, Gaytri Upadhyay | E♭ Major | 3 | 5B | 77 BPM | ||
| Pandharicha Panduranga | Pravin Kuwar | E♭ Major | 4 | 5B | 145 BPM | ||
| Hari Bhajani Gheta Godi | Vishnubuva Wavanjekar | F♯ Minor | 7 | 11A | 126 BPM | ||
| Jaise Jyache Karma | Pralahad Shinde | D♭ Minor | 5 | 12A | 166 BPM | ||
| Kanada Vithal | Kishori Amonkar, Raghunan Panshikar | A♭ Minor | 3 | 1A | 81 BPM | ||
| Tum Hi Mere Devta Ho | Morari Bapu | B♭ Major | 7 | 6B | 108 BPM | ||
| Na Bhajata Vithalasi | Vishnubuva Vavanjekar | B♭ Minor | 7 | 3A | 113 BPM | ||
| Shri Krishna Saranam Mam | Ashit Desai, Hema Desai | B Minor | 6 | 10A | 73 BPM | ||
| Gato Avadine God Tujhe Naam | Prahlad Shinde | E Major | 9 | 12B | 79 BPM | ||
| Mumbaichya Chaukaat Punyachya Pethet | Ajit Kadkade, Sujata Patwa, Madhuri Kande, Mangla Mhapuskar, Vidhya Tipnis | A♭ Major | 6 | 4B | 121 BPM | ||
| Vitthal Maza Maza Mi Vitthalacha (Dhun) | Unmesh Tayade, Avinash Sasane | A♭ Minor | 5 | 1A | 108 BPM | ||
| Mangal Mandir Kholo | Dipali Bhatt, Manoj Dave, Ninad Maheta, Foram Maheta | A Major | 4 | 11B | 140 BPM | ||
| Evadha Vel Ka Laavilaa | Vasant Ajgaonkar | D♭ Minor | 5 | 12A | 127 BPM | ||
| Jave Pandharisi | Vishnubua Vavnjekar | E♭ Minor | 7 | 2A | 100 BPM | ||
| Mara Ghatma Birajata Shrinathji | Ashit Desai, Hema Desai | D Major | 7 | 10B | 83 BPM | ||
| Mala Baai Jayachn Mathura Bazara | Milind Shinde | A Minor | 5 | 8A | 104 BPM | ||
| Vitthal Bhaktigeet - Dehachi Tijori | Mandar Apte | D Major | 5 | 10B | 140 BPM |