Pal's ' "プリーズ・キャッチ・ミー" was released on its scheduled release date, June 5, 1980. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 10 in Catch Me by Pal. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, プリーズ・キャッチ・ミー's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of プリーズ・キャッチ・ミー by Pal is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 青春貴族 | Masatoshi Nakamura | D♭ Major | 8 | 3B | 95 BPM | ||
| グッド・ナイト・ベイビー | The King Tones | B♭ Major | 4 | 6B | 97 BPM | ||
| ポカポカ日曜日 | Kaguyahime | G Major | 5 | 9B | 121 BPM | ||
| 逢わずに愛して | Hiroshi Uchiyamada & Cool Five | B Minor | 3 | 10A | 90 BPM | ||
| SOMEDAY | Takako Shirai | D Minor | 8 | 7A | 122 BPM | ||
| 夢みる渚 | Masamichi Sugi | A Major | 7 | 11B | 132 BPM | ||
| 落葉 | Kozo Murashita | D Minor | 5 | 7A | 131 BPM | ||
| 夜はドラマチック | Hatsumi Shibata | G Minor | 8 | 6A | 106 BPM | ||
| 雨は手のひらにいっぱい - 2019 Remaster | HONEY&B-BOYS | G Major | 5 | 9B | 117 BPM | ||
| バカンスはいつも雨 | Masamichi Sugi | C Major | 8 | 8B | 129 BPM | ||
| 夜明けのグッドバイ | Iruka | B Minor | 6 | 10A | 117 BPM | ||
| 返事はいらない - single version | Yumi Arai | C Minor | 7 | 5A | 119 BPM | ||
| 生まれかわれるものならば | Ayumi Ishida | F♯ Minor | 3 | 11A | 202 BPM | ||
| 坂道はパール色 | Kaoru Sudo | A Major | 5 | 11B | 107 BPM | ||
| Meguriai Surechigai | Keiko Mizukoshi | D♭ Minor | 6 | 12A | 139 BPM | ||
| 安物の時計 - Remastered 2022 | Eikichi Yazawa | F Major | 10 | 7B | 110 BPM | ||
| 夢よもういちど | 真木 ひでと | A Minor | 3 | 8A | 89 BPM | ||
| さよならベイブ | Motoharu Sano | G Major | 9 | 9B | 128 BPM | ||
| 松山行フェリー | Kozo Murashita | E Major | 7 | 12B | 139 BPM | ||
| 湘南の男たち | Ann Lewis | B♭ Minor | 6 | 3A | 152 BPM | ||
| 抱擁 | Akiko Wada | D Major | 7 | 10B | 76 BPM | ||
| DOUNIKA NARUSA (Live at Crocodile, Tokyo, 1977) | Hiroshi Kamayatsu | E Major | 6 | 12B | 116 BPM | ||
| さようなら学生時代 | Pal | A Minor | 5 | 8A | 70 BPM | ||
| うちのお父さん | Kaguyahime | D Major | 8 | 10B | 85 BPM | ||
| 少しは私に愛を下さい | Kei Ogura | F♯ Minor | 1 | 11A | 80 BPM |