"Ten Pieces for Piano from Romeo & Juliet, Op. 75: VI. The Montagues and the Capulets" by Sergei Prokofiev, Frederic Chiu had its release date on December 10, 1994. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 26 in the song's album "Prokofiev: Piano Music". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Ten Pieces for Piano from Romeo & Juliet, Op. 75: VI. The Montagues and the Capulets is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ten Pieces for Piano from Romeo & Juliet, Op. 75: VI. The Montagues and the Capulets by Sergei Prokofiev, Frederic Chiu having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
| Masquerade Suite: I. Waltz | Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra, Oscar Shumsky | C Major | 3 | 8B | 181 BPM | ||
| 16 Waltzes, Op. 39: XV. A Major | Alessio Bax, Lucille Chung | F♯ Minor | 0 | 11A | 75 BPM | ||
| Suite for Variety Orchestra: Waltz 2 (Arr. for 12 Cellos) | Dmitri Shostakovich, Die 12 Cellisten der Berliner Philharmoniker | C Minor | 1 | 5A | 181 BPM | ||
| Pictures at an Exhibition: Promenade I | Modest Mussorgsky, Khatia Buniatishvili | F Major | 0 | 7B | 80 BPM | ||
| Nocturne in B-Flat Major | Maria Szymanowska, Anna Ciborowska | G Minor | 0 | 6A | 138 BPM | ||
| Rachmaninov: Prelude No. 1 in C-Sharp Minor, Op. 3 No. 2 "The Bells of Moscow" | Sergei Rachmaninoff, Alexandre Tharaud | F♯ Minor | 1 | 11A | 77 BPM | ||
| Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
| Étude in G Minor Op. 740 No. 50 | Carl Czerny, Alba Ventura | G Minor | 5 | 6A | 139 BPM | ||
| Gianni Schicchi: O mio babbino caro (Arr. Yvar Mikhashoff) | Giacomo Puccini, James Rhodes | A♭ Major | 0 | 4B | 65 BPM | ||
| 6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 | Johannes Brahms, Ferruccio Busoni, Igor Levit | A Minor | 0 | 8A | 84 BPM | ||
| Sonata in D Minor, K. 32 | Domenico Scarlatti, Lucas Debargue | D Minor | 0 | 7A | 130 BPM | ||
| Suite en La Mineur, RCT 5: IV. Les Trois Mains | Jean-Philippe Rameau, Alexandre Tharaud | A Minor | 2 | 8A | 136 BPM | ||
| Nocturne in E Minor, Op. 72, No. 1 | Frédéric Chopin, Hélène Grimaud | B Major | 1 | 1B | 106 BPM | ||
| Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
| Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
| Thaïs: Méditation | Jules Massenet, Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence Foster | D Major | 0 | 10B | 91 BPM | ||
| Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
| Piano Sonatina in C Major, Op. 20 No. 1: I. Allegro | Friedrich Kuhlau, Lang Lang | G Major | 2 | 9B | 75 BPM | ||
| Bagatelle in A Minor, WoO 59 "Für Elise" | Ludwig van Beethoven, Alfred Brendel | A Minor | 0 | 8A | 130 BPM | ||
| Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical symphony": IV. Finale - Molto vivace | Sergei Prokofiev, Philippe Jordan, Orchestre de l'Opéra National de Paris | D Major | 1 | 10B | 80 BPM | ||
| 6 Moments musicaux, D. 780: No. 3, Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
| Mozart / Arr. Grieg for Two Pianos: Piano Sonata No. 16 in C Major, K. 545 "Semplice": I. Allegro (Live) | Martha Argerich, Piotr Anderszewski | B♭ Major | 3 | 6B | 77 BPM | ||
| Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
| Haydn: Piano Concerto No. 11 in D Major, Hob. XVIII:11: III. Rondo all'Ungarese (Cadenza by Tharaud) | Franz Joseph Haydn, Alexandre Tharaud, Bernard Labadie, Les Violons du Roy | D Major | 2 | 10B | 83 BPM |