On 1987, the song "センチュリー・トイズ" was released by PEARL. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in PEARL's "GOLDEN☆BEST PEARL-early days-" album is number 13 out of 19. On top of that, Japan appears to be the country where this track was created. Based on our statistics, センチュリー・トイズ's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of センチュリー・トイズ by PEARL to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 好き | Ryuichi Kawamura | C Major | 7 | 8B | 125 BPM | ||
| HOT GIRL | PEARL | B Major | 8 | 1B | 149 BPM | ||
| KING'S ROCK'N' ROLL | RED WARRIORS | C Major | 9 | 8B | 135 BPM | ||
| ONE(We are ONE) | KATSUMI | E♭ Major | 6 | 5B | 136 BPM | ||
| SENSATION | De-LAX | E Major | 9 | 12B | 98 BPM | ||
| 100万$ナイト | Kai Band | F♯ Minor | 9 | 11A | 135 BPM | ||
| ときめきはグラマラス | GO-BANG'S | B♭ Major | 2 | 6B | 130 BPM | ||
| ひどくありふれたホワイトノイズをくれ | GLAY | C Major | 2 | 8B | 85 BPM | ||
| TOUCH DOWN | 清水宏次朗 | G Major | 5 | 9B | 74 BPM | ||
| 観覧車 | Kai Band | A Major | 8 | 11B | 114 BPM | ||
| ラスト・シーンから始めよう(Single Ver.) | Look | F Major | 7 | 7B | 120 BPM | ||
| 涙3 (ナミダ サンジョウ) | Bakufu Slump | D Minor | 9 | 7A | 102 BPM | ||
| とってもメリーゴーランド | Sharam Q | B♭ Major | 9 | 6B | 158 BPM | ||
| EMOTION | KIX・S | F♯ Minor | 9 | 11A | 128 BPM | ||
| わぁい わぁい わい | BARBEE BOYS | B Major | 10 | 1B | 132 BPM | ||
| Wild Hearts -冒険者たち- | Motoharu Sano | E Major | 8 | 12B | 150 BPM | ||
| もうだいじょうぶヒステリー | BARBEE BOYS | B Minor | 9 | 10A | 122 BPM | ||
| COME ON | Kahoru Kohiruimaki | A Major | 10 | 11B | 153 BPM | ||
| あの時のままでいたい | Fumina Hisamatsu | B Minor | 9 | 10A | 123 BPM | ||
| ゴォ! | 山瀬まみ | A Major | 10 | 11B | 109 BPM | ||
| 明日へ | UP-BEAT | A Minor | 8 | 8A | 123 BPM | ||
| 電気とミント (MOVIE MIX) | PSY・S[saiz] | C Major | 5 | 8B | 70 BPM | ||
| 恋をするだけ無駄なんて | Sharam Q | G Minor | 7 | 6A | 125 BPM | ||
| 次の夢 | Ruriko Kuboh | A Major | 6 | 11B | 92 BPM | ||
| 抱きしめたい | C-C-B | A Minor | 9 | 8A | 130 BPM |