On January 1, 2012, the song "All Aboard" was released by John Maus. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. All Aboard's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 16 in A Collection Of Rarities And Previously Unreleased Material by John Maus. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of All Aboard is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of All Aboard by John Maus is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Crush My Love | Death In June | A Minor | 6 | 8A | 104 BPM | ||
| Never Tell | Black Marble | F♯ Major | 8 | 2B | 120 BPM | ||
| Don't Be Seen With Me | Oppenheimer Analysis | C Major | 8 | 8B | 146 BPM | ||
| Amplifiers | Atlas Sound | F♯ Major | 4 | 2B | 108 BPM | ||
| Bad Moods | Geneva Jacuzzi | B♭ Minor | 9 | 3A | 69 BPM | ||
| Tonopah | CC Dust | A Major | 7 | 11B | 129 BPM | ||
| The Devil's Dancers | Oppenheimer Analysis | A Minor | 8 | 8A | 123 BPM | ||
| Intexus | Ashrae Fax | B♭ Major | 6 | 6B | 140 BPM | ||
| What I Wouldn't Give | Pink Industry | E Major | 6 | 12B | 101 BPM | ||
| Different Heart | Belong | B♭ Minor | 7 | 3A | 131 BPM | ||
| True Blue | Dirty Beaches | C Major | 6 | 8B | 107 BPM | ||
| Rights For Gays | John Maus | E Minor | 6 | 9A | 160 BPM | ||
| I Met the Beast | Martin Dupont | A♭ Minor | 9 | 1A | 103 BPM | ||
| Lord Knows Best | Dirty Beaches | B Major | 2 | 1B | 92 BPM | ||
| Portugal | Eleven Pond | F♯ Minor | 5 | 11A | 153 BPM | ||
| Never Ever | Velvet Condom | A♭ Major | 7 | 4B | 167 BPM | ||
| Take a Look | Martin Dupont | E Major | 8 | 12B | 84 BPM | ||
| Afghan Dance | Solid Space | F Major | 9 | 7B | 148 BPM | ||
| No Title (Molly) | John Maus | F Major | 9 | 7B | 160 BPM | ||
| Two Lips | Choir Boy | A Minor | 6 | 8A | 120 BPM | ||
| You Are My Jail | Martin Dupont | F♯ Major | 9 | 2B | 140 BPM | ||
| I Dream in Neon | Dirty Beaches | C Major | 7 | 8B | 120 BPM | ||
| Real Bad Job | John Maus | F♯ Minor | 6 | 11A | 143 BPM | ||
| New Ways | CC Dust | A Major | 9 | 11B | 131 BPM | ||
| Lonely Eyes | 18 Carat Affair | A Minor | 8 | 8A | 119 BPM |