Rolf Kühn's 'Both Sides Now' had a release date set for June 1, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Yellow + Blue by Rolf Kühn. The song's track number on the album is #1 out of 11 tracks. Based on our data, Germany was the country where this track was produced or recorded. Both Sides Now is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Both Sides Now by Rolf Kühn has a tempo of 66 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Both Sides Now being at 66 BPM, the half-time would be 33 BPM with a double-time of 132 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ascent | Art Hirahara, Joe Martin, Rudy Royston | D Minor | 1 | 7A | 101 BPM | ||
| Cherie | Vernon Sanders | F Major | 1 | 7B | 111 BPM | ||
| Nocturno | ARTEMIS | C Major | 1 | 8B | 121 BPM | ||
| It's Magic | Brooks Jazz Band | B♭ Major | 1 | 6B | 174 BPM | ||
| Sophisticated Lady | Mulgrew Miller, Niels-Henning Ørsted Pedersen | D♭ Major | 1 | 3B | 115 BPM | ||
| Trilly - Variation | Giovanni Guidi Trio | G Major | 1 | 9B | 69 BPM | ||
| You Must Believe In Spring | Carl Bagge Trio | G Major | 1 | 9B | 130 BPM | ||
| I´ll Never Smile Again | Steve Luke & Holloway | F Minor | 1 | 4A | 63 BPM | ||
| In The Night | Stefania Tallini, Matteo Bortone, Gregory Hutchinson | B Minor | 1 | 10A | 78 BPM | ||
| Like Someone in Love | Joachim Kühn, Rolf Kühn | E♭ Major | 1 | 5B | 80 BPM | ||
| Twelve for J. | Caris Hermes | D Major | 1 | 10B | 103 BPM | ||
| Under A Smiling Moon | Peter Sandberg | F Minor | 1 | 4A | 65 BPM | ||
| Body and Soul | Rolf Kühn | D♭ Major | 1 | 3B | 58 BPM | ||
| Somaoh | Trio X of Sweden | G Major | 3 | 9B | 81 BPM | ||
| Tender | Hara Noda | E♭ Major | 2 | 5B | 45 BPM | ||
| The Morning After the Night Before | Courtney Pine | C Minor | 1 | 5A | 128 BPM | ||
| Romaria | Andy Sheppard Quartet | G Major | 1 | 9B | 134 BPM | ||
| A Child Not Yet Born | Farnell Newton, Art Hirahara, Boris Kozlov, Joe Strasser, Brandon Wright | A♭ Major | 3 | 4B | 119 BPM | ||
| Conversation III | Rolf Kühn | D♭ Major | 7 | 3B | 111 BPM | ||
| May I Ask | Magnus Ringblom Quartet | C Minor | 2 | 5A | 86 BPM | ||
| The Rose Tattoo | Harry Allen | F Minor | 2 | 4A | 113 BPM | ||
| Theme for Ernie | Fredrik Kronkvist | D♭ Major | 1 | 3B | 110 BPM | ||
| 50 Ways to Leave Your Lover | Ben Paterson | B Minor | 2 | 10A | 105 BPM | ||
| The End and The Beginning | Edward Simon, Scott Colley, Brian Blade | D Major | 0 | 10B | 95 BPM | ||
| Emperor Jones | Joe Lovano | G Minor | 3 | 6A | 184 BPM |