"Saint-Saens, Suite for Cello and Orchestra, Serenade" by Charles Roland Berry, Philharmonia La Seine had its release date on September 2, 2023. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 20 in Classical Light, Set 20 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Saint-Saens, Suite for Cello and Orchestra, Serenade is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Saint-Saens, Suite for Cello and Orchestra, Serenade by Charles Roland Berry, Philharmonia La Seine is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Charpentier: Te Deum in D Major, H. 146: I. Prelude. Marche en rondeau | Marc-Antoine Charpentier, William Christie | C Major | 4 | 8B | 75 BPM | ||
| Nocturne No. 2 in E-Flat Major, Op. 9 No. 2 | Frédéric Chopin, Claudio Arrau | B♭ Major | 0 | 6B | 108 BPM | ||
| Scheherazade, Op. 35: No. 1, El mar y el barco de Simbad. Largo e maestoso - Allegro non troppo | Orquesta Sinfónica De Radio Ljubljana, Anton Nanut | E Major | 2 | 12B | 79 BPM | ||
| Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM | ||
| Romance for Violin & Orchestra No.2 F Major Op.50 | Alberto Lizzio, Philharmonica Slavonica, Ivan Czerkov | F Major | 1 | 7B | 98 BPM | ||
| Gianni Schicchi: O mio babbino caro | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | E Major | 2 | 12B | 91 BPM | ||
| L'Arlésienne Suite No. 1, WD 40: III. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
| Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Mitsuko Uchida, Bavarian Radio Symphony Orchestra, Kurt Sanderling | B Major | 0 | 1B | 70 BPM | ||
| Air On The G String | Annunzio Paolo Mantovani | D Major | 2 | 10B | 77 BPM | ||
| Barber: Agnus Dei | Samuel Barber, Lawrence Foster, Monte-Carlo Philharmonic Orchestra | C Minor | 1 | 5A | 75 BPM | ||
| Beethoven, String Quartet in G Major, Op. 18, No.2.1, Allegro | Charles Roland Berry, Philharmonia La Seine | D Major | 3 | 10B | 93 BPM | ||
| Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
| Vivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis Deo | Antonio Vivaldi, Riccardo Muti, New Philharmonia Chorus, New Philharmonia Orchestra | D Major | 4 | 10B | 144 BPM | ||
| String Quartet No. 12 "First Impressions": I. Exuberance | Charles Roland Berry, Nexus Quartet | C Major | 1 | 8B | 80 BPM | ||
| Fauré: Requiem, Op. 48: VII. In Paradisum | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D Major | 0 | 10B | 147 BPM | ||
| Nabucco: Overture | Giuseppe Verdi, Sofia Symphony Orchestra, Vassil Stefanov | B Major | 0 | 1B | 113 BPM | ||
| Cavalleria rusticana: Part II: Intermezzo | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | D Minor | 0 | 7A | 117 BPM | ||
| La Molinarella: Symphony | Niccolò Piccinni, International Symphony Orchestra, Silvano Frontalini | D Major | 0 | 10B | 95 BPM | ||
| Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
| Fauré: Pavane, Op. 50 (Instrumental Version) | Gabriel Fauré, Sir David Willcocks, New Philharmonia Orchestra | F♯ Minor | 0 | 11A | 58 BPM | ||
| Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Concert Orchestra, Barry Wordsworth | E♭ Major | 1 | 5B | 80 BPM | ||
| El Espíritu de Dios | Marx Huancas | B♭ Major | 2 | 6B | 137 BPM | ||
| Oboe Concerto in B-Flat Major, Wq. 164, H. 466: I. Allegretto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 131 BPM | ||
| Forest Clearing, Op. 15 | Sigurd Islandsmoen, Iceland Symphony Orchestra, Bjarte Engeset | G Major | 0 | 9B | 55 BPM | ||
| Serenade No. 1 in D Major, Op. 9: I. Andante | Robert Fuchs, Kolner Kammerorchester, Christian Ludwig | C Minor | 1 | 5A | 111 BPM |