On January 1, 2005, the song "Come Home Dad" was released by Origin. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "This Is Me". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. The popularity of Come Home Dad is currently unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Come Home Dad by Origin having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| スクリャービン:24の前奏曲 作品11 第9番 | Chick Corea Trio | E Major | 5 | 12B | 141 BPM | ||
| Poem for the Oppressed | Tony Tixier, Logan Richardson, Seamus Blake | D♭ Minor | 3 | 12A | 117 BPM | ||
| 모기론 | Origin | A♭ Minor | 3 | 1A | 147 BPM | ||
| Capas En Perturbación | Nieve abstracta | C Major | 5 | 8B | 128 BPM | ||
| Feast of Souls | Elian Tumbao | G Minor | 4 | 6A | 95 BPM | ||
| Nowhere (For Bob Moses), Pt. 2 | Michael Gibbs | E Minor | 5 | 9A | 122 BPM | ||
| Just | Billy Hart Quartet | C Major | 3 | 8B | 78 BPM | ||
| Not Tired | Johannes Wallmann, Nick Moran, Dayna Stephens, Ingrid Jensen, Adam Nussbaum | C Major | 3 | 8B | 138 BPM | ||
| Temperance | Wynton Kelly | A♭ Major | 3 | 4B | 97 BPM | ||
| Elegance in Blue | Layla | F Major | 4 | 7B | 69 BPM | ||
| イット・クッド・ハプン・トゥ・ユー | Chick Corea Trio | C Major | 5 | 8B | 106 BPM | ||
| Far East Ferry | Geoff Gascoyne, Dave O'Higgins, Sebastiaan De Krom, Graham Harvey | F Minor | 1 | 4A | 75 BPM | ||
| Something Stronger | Origin | D Major | 8 | 10B | 165 BPM | ||
| Early Afternoon Blues | Chick Corea, Origin | B♭ Minor | 7 | 3A | 144 BPM | ||
| Things Ain't What They Used To Be | Noah Haidu, Buster Williams, Billy Hart | D Minor | 5 | 7A | 118 BPM | ||
| The Weapon of Truth | Jessica Williams, Eddie Henderson | D Minor | 1 | 7A | 111 BPM | ||
| Motherhood | Caelan Cardello | B Major | 0 | 1B | 116 BPM | ||
| Jimbo | Mathias Ruppnig, Roland Hanslmeier, Musina Ebobissé, Joander Cruz, Tony Tixier, Lorenz Heigenhuber | B♭ Minor | 5 | 3A | 90 BPM | ||
| Sunday | Ben Webster, Cees Slinger, Rob Langereis, John Engels | A♭ Major | 2 | 4B | 139 BPM | ||
| Triste | Eric Alexander | A♭ Major | 5 | 4B | 92 BPM | ||
| Stay Right With It | Barry Harris Trio | E♭ Major | 3 | 5B | 96 BPM | ||
| Submergence (English Ver.) | Origin | D Minor | 2 | 7A | 111 BPM | ||
| Pass It On | Dave Holland Sextet | F Minor | 5 | 4A | 94 BPM | ||
| Broadmoor | Peter Martin | F Major | 5 | 7B | 92 BPM | ||
| Sing Sing | Dave Douglas | D Minor | 2 | 7A | 111 BPM |