On December 31, 1965, the song "Janeman Tera Aana" was released by Usha Mangeshkar, Krishna Kalle. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 2 in Azad Champion by Jugal Kishore, Upendra Trivedi. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Janeman Tera Aana is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Janeman Tera Aana by Usha Mangeshkar, Krishna Kalle is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chanchal Sheetal Nirmal Komal | Mukesh, Zeenat Aman, Laxmikant–Pyarelal | A Major | 3 | 11B | 140 BPM | ||
| Yevu Kashi Tashi Mee Nandayala | Rukmini Alias Roshan Satarkar | B Major | 5 | 1B | 135 BPM | ||
| Nagaracha Baheri Aai Kay Ga He Vajte | Shakuntala Jadhav, Nanda Bhamre | B♭ Major | 7 | 6B | 82 BPM | ||
| Baai Suya Ghe Ga Dabhan Ghe | Ranjana Shinde | E Major | 5 | 12B | 97 BPM | ||
| Aga Imala | Usha Mangeshkar, Mahendra Kapoor | D Major | 5 | 10B | 86 BPM | ||
| Khali Dabba Khali Botal | Manna Dey | F♯ Major | 8 | 2B | 180 BPM | ||
| Ramya Hi Swargahuni Lanka | Bhimsen Joshi | G Minor | 4 | 6A | 122 BPM | ||
| Na Main Dhan Chahun | Geeta Dutt, Sudha Malhotra, S. D. Burman | B♭ Major | 4 | 6B | 93 BPM | ||
| Aamhi Haav Jaatiche Koli | Shahir Pandurang Vanmali | B♭ Minor | 5 | 3A | 71 BPM | ||
| Mi Radhika | Arati Ankalikar Tikekar, Tikekar | F Minor | 4 | 4A | 137 BPM | ||
| Hum To Jhuk Kar Salam Karte Hai | Kishore Kumar, Aziz Nazan Qawwal, Mahendra Kapoor, Bhushan Mehta | B♭ Major | 6 | 6B | 100 BPM | ||
| Mujhe Pyar Ka Tohfa Deke | Mohammed Rafi, Usha Mangeshkar | B Minor | 4 | 10A | 80 BPM | ||
| Chhati Thok Hey Saangu Jagala | Sonu Nigam | A♭ Major | 6 | 4B | 53 BPM | ||
| Sangna Devi Majhya Bhavala | Bharti Madhavi | F Minor | 6 | 4A | 125 BPM | ||
| Geli Kuth Gavana | Usha Mangeshkar | D Major | 5 | 10B | 86 BPM | ||
| Mala Ek Chanas Hava | Mahendra Kapoor, Usha Mangeshkar | C Minor | 8 | 5A | 90 BPM | ||
| Bai Mi Patang Udvit Hote | Asha Bhosle | D♭ Minor | 5 | 12A | 65 BPM | ||
| Hich Kay Go, Pt. 2 | Santosh Nayak, Vina Bamne | A♭ Major | 5 | 4B | 96 BPM | ||
| Govinda Aala Re Aala | Mohammed Rafi, Kalyanji-Anandji | F♯ Major | 8 | 2B | 189 BPM | ||
| Kanda Raja Pandharicha | Sudhir Phadke | D♭ Minor | 5 | 12A | 104 BPM | ||
| Aala Thandicha | Usha Mangeshkar | C Major | 7 | 8B | 149 BPM | ||
| Mausam Hai Gane Ka | Bappi Lahiri | F Major | 5 | 7B | 138 BPM | ||
| Malachya Malyamadhi | Lata Mangeshkar | G Minor | 5 | 6A | 110 BPM | ||
| Chal Ambyachya Vanat Jaoo | Usha Mangeshkar, Mahendra Kapur | B♭ Minor | 6 | 3A | 82 BPM | ||
| Lag Ja Gale Se | Nitin Mukesh, Usha Mangeshkar | E Major | 5 | 12B | 77 BPM |