"Chevaliers de Sangreal - From "The Da Vinci Code"" by Hans Zimmer, James Fitzpatrick, The City of Prague Philharmonic Orchestra had its release date on September 12, 2008. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 23 in Film Music of Hans Zimmer - Vol.1 by The City of Prague Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Chevaliers de Sangreal - From "The Da Vinci Code"'s popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chevaliers de Sangreal - From "The Da Vinci Code" by Hans Zimmer, James Fitzpatrick, The City of Prague Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Imperatrix Mundi | Jo Blankenburg | G Minor | 5 | 6A | 99 BPM | ||
| Launch | Trevor Rabin | C Major | 4 | 8B | 69 BPM | ||
| I'll Go With You | Nick Glennie-Smith | B♭ Minor | 4 | 3A | 80 BPM | ||
| Zephyrus | Jo Blankenburg | F Minor | 5 | 4A | 141 BPM | ||
| Amar: Castells | Armand Amar, The City of Prague Philharmonic Orchestra | B♭ Minor | 2 | 3A | 152 BPM | ||
| For The Love Of A Princess | James Horner, London Symphony Orchestra | A Minor | 1 | 8A | 69 BPM | ||
| Prime | Steve Jablonsky, Lisbeth Scott | A♭ Major | 5 | 4B | 80 BPM | ||
| Twilight and Shadow - From "The Lord of the Rings: The Return of the King" | The City of Prague Philharmonic Orchestra | E Minor | 2 | 9A | 86 BPM | ||
| Harry & Greg / Launch - From "Armageddon" | The City of Prague Philharmonic Orchestra | A Minor | 4 | 8A | 84 BPM | ||
| Road to Victory | Veigar Margeirsson | A Major | 2 | 11B | 81 BPM | ||
| Alive And Together | Junkie XL | C Major | 1 | 8B | 70 BPM | ||
| Pain | Alken Menses, Alk Mezain | D Major | 3 | 10B | 90 BPM | ||
| Buon giorno principessa | Nicola Piovani | A Major | 1 | 11B | 86 BPM | ||
| Vide cor meum - From "Hannibal" | The City of Prague Philharmonic Orchestra, Paul Bateman, Crouch End Festival Chorus, Charlotte Kinder, Wills Morgan | A Major | 2 | 11B | 90 BPM | ||
| Espiritu Esa Ala | David Hirschfelder | C Major | 5 | 8B | 98 BPM | ||
| Sector 6 | Steve Jablonsky | C Major | 5 | 8B | 115 BPM | ||
| The Far Side of the World | Iva Davies, Richard Tognetti, Christopher Gordon | C Major | 3 | 8B | 132 BPM | ||
| One Hundred Years Of Downton - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 81 BPM | ||
| Leyenda Viviente | el jievo chin | D♭ Minor | 2 | 12A | 150 BPM | ||
| The Ascension | Roque Baños | D Minor | 2 | 7A | 61 BPM | ||
| The Prophecy - From "The Lord of the Rings: The Fellowship of the Ring " | Howard Shore, The City of Prague Philharmonic Orchestra, Nicholas Charles Raine | D Minor | 1 | 7A | 80 BPM | ||
| I Will Come Back | Hans Zimmer | G Minor | 1 | 6A | 71 BPM | ||
| Indiana Jones and the Temple of Doom | Royal Philharmonic Orchestra | B♭ Major | 6 | 6B | 176 BPM | ||
| Arrival at Aslan's How | Harry Gregson-Williams | F♯ Major | 2 | 2B | 74 BPM | ||
| Parker & Hachi Walk To The Station | Jan A.P. Kaczmarek | A Minor | 2 | 8A | 163 BPM |