Daniel Lenz's 'The Darkest Hour' had a release date set for March 1, 2013. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Daniel Lenz's "Man Machine" album is number 2 out of 19. On top of that, United States appears to be the country where this track was created. The Darkest Hour is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Darkest Hour by Daniel Lenz to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ride Or Die | TheUnder | A♭ Major | 9 | 4B | 170 BPM | ||
| AXIS | Tom Player | D Minor | 4 | 7A | 75 BPM | ||
| Arise | E.S. Posthumus | F Major | 5 | 7B | 88 BPM | ||
| Grind to Dust | Epic Score | A Minor | 6 | 8A | 124 BPM | ||
| They Are Coming for Us | Thunderstep Music | E Minor | 6 | 9A | 140 BPM | ||
| Starscape | Erik Ekholm | B♭ Minor | 8 | 3A | 128 BPM | ||
| Abandoned Freedom | Zachary Meyers, Aaron Kaplan, Daniel Law Heath | C Minor | 8 | 5A | 140 BPM | ||
| Watchtower | Michael McCann | F♯ Minor | 7 | 11A | 120 BPM | ||
| Unity | Christian Reindl | D♭ Major | 5 | 3B | 103 BPM | ||
| Wrath of Gods | Epikus | B Major | 6 | 1B | 125 BPM | ||
| Diesel Punks | Cliff Lin | F Minor | 8 | 4A | 174 BPM | ||
| Xenos | Revolt Production Music | D Major | 9 | 10B | 127 BPM | ||
| Pandemic | Aleksandar Dimitrijevic | D♭ Major | 8 | 3B | 99 BPM | ||
| Cryptwalker | Shades of the Abyss | G Minor | 4 | 6A | 86 BPM | ||
| The Wings of Icarus | Celldweller, James Dooley | D Minor | 8 | 7A | 150 BPM | ||
| 13 Demons | Erik Ekholm | C Minor | 6 | 5A | 75 BPM | ||
| Creator of Worlds | Epic Score | G Minor | 9 | 6A | 140 BPM | ||
| Born From Gods (Epiic Choir Remix) | Heavy Melody, Dos Brains | G Minor | 4 | 6A | 77 BPM | ||
| History of Artemisia | Junkie XL | F Major | 9 | 7B | 80 BPM | ||
| Run Baby Run | 2WEI, Ali Christenhusz | D♭ Major | 8 | 3B | 85 BPM | ||
| Aliens (feat. Paul Sebastien) | Daniel Lenz, Paul Sebastien | D♭ Major | 9 | 3B | 80 BPM | ||
| Darkness Below | Red Moth, Beyond Awakening | D Minor | 4 | 7A | 130 BPM | ||
| Kether | Arkana | D♭ Major | 9 | 3B | 115 BPM | ||
| Sword of Damocles | Music Junkies, Ars Arcana, NSFW | D♭ Minor | 7 | 12A | 130 BPM | ||
| Bleeder | Sebastian Komor | A♭ Major | 10 | 4B | 130 BPM |