"2 Blessings: A Clare Benediction" by John Rutter, Nicholas Rimmer, Choir of Clare College, Cambridge, City of London Sinfonia, Timothy Brown had its release date on April 1, 2003. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Rutter: Requiem / Anthems". In this album, this song's track order is #11. 2 Blessings: A Clare Benediction is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 2 Blessings: A Clare Benediction by John Rutter, Nicholas Rimmer, Choir of Clare College, Cambridge, City of London Sinfonia, Timothy Brown having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Folly and Love | John Bell, The Cathedral Singers | D Major | 4 | 10B | 70 BPM | ||
| Requiem: IV. Sanctus | John Rutter, Choir of King's College, Cambridge, Stephen Cleobury, City of London Sinfonia, Sinfonia Of London | F Major | 1 | 7B | 78 BPM | ||
| Requiem: Agnus Dei | John Rutter, Elin Manahan Thomas, Choir of Clare College, Cambridge, City of London Sinfonia, Timothy Brown | B♭ Major | 0 | 6B | 132 BPM | ||
| O Love of God, How Strong and True (Arr. M. McCarthy) | Hubert Parry, Washington National Cathedral Choir, Erik Suter, Scott Hanoian, Michael McCarthy | G Major | 2 | 9B | 71 BPM | ||
| Requiem in D Minor, Op. 48: V. Agnus Dei | Gabriel Fauré, John Rutter, Simon Standage, John Scott, City of London Sinfonia, The Cambridge Singers | G Major | 1 | 9B | 83 BPM | ||
| Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": No. 9, Sheep May Safely Graze (Arr. for Orchestra by John Rutter) | Johann Sebastian Bach, John Rutter, Manchester Camerata | E Major | 2 | 12B | 98 BPM | ||
| Considering Matthew Shepard, Passion: No. 29, Pilgrimage | Craig Hella Johnson, Lesléa Newman, Conspirare | A Major | 0 | 11B | 96 BPM | ||
| Semele, HWV 58: Where'er You Walk (Arr. for Oboe & Orchestra by John Rutter) | George Frideric Handel, John Rutter, Manchester Camerata | B♭ Major | 1 | 6B | 80 BPM | ||
| Gloriana, Op. 53: Choral Dance No. 4, Country Girls | Benjamin Britten, John Rutter, The Cambridge Singers | D Major | 2 | 10B | 108 BPM | ||
| O salutaris hostia | Ēriks Ešenvalds, Kate Ledington, Maeve Stier, Portland State University Chamber Choir, Ethan Sperry | G Minor | 1 | 6A | 136 BPM | ||
| 4 Gesänge, Op. 17: No. 1, Es tönt ein voller Harfenklang | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | G Minor | 0 | 6A | 67 BPM | ||
| Glow | Eric Whitacre, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta, Paweł Wajrak, Katarzyna Łukawska, Tomasz Sobaniec | G Major | 0 | 9B | 79 BPM | ||
| The Nativity Song (Arr. for choir by B. Wells) | Patricia Kelsey Graham, BYU Concert Choir, Brent Wells | B Major | 2 | 1B | 136 BPM | ||
| Song for Athene | John Tavener, John Rutter, The Cambridge Singers | D Major | 2 | 10B | 108 BPM | ||
| Angel vopiyashe, Op. 22 No. 18 | Pavel Chesnokov, Jessica Kinney, Cambridge University Chamber Choir, Graham Walker, St. John's Voices | D Major | 1 | 10B | 83 BPM | ||
| Stars | Ēriks Ešenvalds, Sjaella | D Major | 0 | 10B | 80 BPM | ||
| The Crimson Sun | Alexander Campkin, Apollo5 | F Major | 1 | 7B | 82 BPM | ||
| Maurice Duruflé: Ubi caritas | Maurice Duruflé, Schola Cantorum, Tone Bianca Sparre Dahl | E♭ Major | 0 | 5B | 87 BPM | ||
| Crossing the Bar | Hubert Parry, Choir of Jesus College, Cambridge, Mark Williams | D Major | 1 | 10B | 70 BPM | ||
| Natus Es Parvulus (douce Nuit) | L'Accroche-Choeur, Ensemble Vocal Fribourg | D Major | 1 | 10B | 135 BPM | ||
| The Lord Is My Light | Margaret Rizza | D Major | 1 | 10B | 76 BPM | ||
| Footprints: II. Footprints | Will Todd, Christopher Finch, Wellensian Consort | F♯ Major | 2 | 2B | 67 BPM | ||
| When Breathing like a Bird | Gittan Glans, Allmänna Sången, Maria Goundorina | D Major | 2 | 10B | 120 BPM | ||
| Hymn to the Creator of Light | John Rutter, The Cambridge Singers | E♭ Major | 1 | 5B | 77 BPM | ||
| Messe basse: IV. Agnus Dei | Gabriel Fauré, John Rutter, John Scott, The Cambridge Singers | G Major | 1 | 9B | 83 BPM |