On December 31, 1995, the song "Final Happy Ending" was released by Lekha Rathnakumar. With This song being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 43 out of 43 in Authentic India, Vol. 2 by Lekha Rathnakumar. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Final Happy Ending is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Final Happy Ending by Lekha Rathnakumar is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ennavoe Mood | The M.S. Viswanathan Orchestra, Lekha Rathnakumar | D Major | 6 | 10B | 110 BPM | ||
| Piya Bina (Instrumental) | Purbayan Chattejee | A Major | 6 | 11B | 92 BPM | ||
| Tal Pravh and Laggi | Anindo Chatterjee | F♯ Minor | 7 | 11A | 142 BPM | ||
| Kriti: Padavini with Vina and Mrdangam | Trichy Sankaran | A♭ Major | 4 | 4B | 135 BPM | ||
| Heartful | G.S. Sachdev | B♭ Major | 0 | 6B | 88 BPM | ||
| Raag Bhairav (Bhor Bhayi) | GAAYATRI | B♭ Major | 5 | 6B | 84 BPM | ||
| A Spiritual Journey | krishna's flute | F Major | 2 | 7B | 77 BPM | ||
| Chaar Paanch Chhey | Tanpura Express | F Major | 6 | 7B | 214 BPM | ||
| Through The Trees | Kaustav Majumder | B♭ Major | 3 | 6B | 84 BPM | ||
| Krishnamurti | Banaras Baba & Kolkata Kid | D♭ Major | 7 | 3B | 143 BPM | ||
| The Seik | Downing And Mayer | D♭ Major | 3 | 3B | 120 BPM | ||
| Harivarasanam (Instrumental) | Peri Thyagaraju | A♭ Minor | 3 | 1A | 112 BPM | ||
| Herat | Pejman Tadayon | B♭ Minor | 9 | 3A | 144 BPM | ||
| 5. Raaga Puriya Dhanshri Alap | Imran Khan | A Major | 0 | 11B | 77 BPM | ||
| Mahabishwe Mahakaashe | Iman Halder | G Minor | 1 | 6A | 57 BPM | ||
| Bansuri & Tabla (Live) | Pandit Atul Shankar, Ravi Tripathi | G Major | 6 | 9B | 127 BPM | ||
| The Pupil and His Master: Rag Bilawal | Vilayat Khan | D♭ Major | 7 | 3B | 115 BPM | ||
| Raga Mand | Shahid Parvez | D♭ Major | 3 | 3B | 142 BPM | ||
| Morning at Temple | Lekha Rathnakumar | A Minor | 7 | 8A | 119 BPM | ||
| Calling Ganesha | Niladri Kumar | G Major | 4 | 9B | 150 BPM | ||
| Parama Paavana | N. Ramani, Meesu Krishna Iyer | B♭ Minor | 7 | 3A | 172 BPM | ||
| Ram Ratan Dhan Payo | B. V. Balasai | D Major | 6 | 10B | 170 BPM | ||
| Soulful Sitar | Sage Mode | F♯ Major | 1 | 2B | 137 BPM | ||
| Cenizas del Tiempo | Ciruu | C Minor | 6 | 5A | 137 BPM | ||
| Natural Healer - Original Mix | Kaustav Majumder | B♭ Major | 4 | 6B | 76 BPM |