"Late Night Call" by SUSS had its release date on August 1, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in SUSS's "Ghost Box" album is number 2 out of 7. On top of that, United States appears to be the country where this track was created. Based on our statistics, Late Night Call's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Late Night Call by SUSS to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dark Birds Empty Fields | Pan-American | C Major | 1 | 8B | 63 BPM | ||
| Unsolved | Gaussian Curve | A Minor | 1 | 8A | 207 BPM | ||
| Moon On The Lake | Jefre Cantu-Ledesma, Ilyas Ahmed | B Minor | 1 | 10A | 46 BPM | ||
| Wake | Taylor Deupree, Marcus Fischer | D Major | 1 | 10B | 86 BPM | ||
| Hymn for an Empty Meridian | Vireth Cadenz | F Major | 2 | 7B | 116 BPM | ||
| Starwood Choker | Bing & Ruth | B Major | 2 | 1B | 74 BPM | ||
| North Wind | SUSS | F Major | 2 | 7B | 112 BPM | ||
| P | Labradford | D Major | 1 | 10B | 128 BPM | ||
| The Quiet at Night | Mary Lattimore | D Major | 2 | 10B | 108 BPM | ||
| Airs 4 | Loren Connors | B Major | 1 | 1B | 71 BPM | ||
| Later That Night | Daniel Lanois, Rocco DeLuca | D Minor | 1 | 7A | 68 BPM | ||
| Late Afternoon | Ann Annie | F Major | 4 | 7B | 77 BPM | ||
| Bumblin' Creed | Padang Food Tigers & Sigbjørn Apeland | B Major | 3 | 1B | 128 BPM | ||
| Changing Faces (Static Places) | 36 | B Minor | 3 | 10A | 140 BPM | ||
| Sleep Navigator | Yamaneko | G Major | 4 | 9B | 87 BPM | ||
| When You Finally Return (2019 Remaster) | Six Organs Of Admittance | G Minor | 2 | 6A | 140 BPM | ||
| Elphin Cantle | Andrew Tuttle, Padang Food Tigers | G Major | 2 | 9B | 85 BPM | ||
| Lights On Water | Pan-American | A♭ Major | 1 | 4B | 66 BPM | ||
| Velha, Nacre | Benoît Pioulard | E♭ Minor | 4 | 2A | 88 BPM | ||
| Left Foot | Hayden Pedigo | D♭ Major | 1 | 3B | 133 BPM | ||
| With News About Heaven | William Tyler | C Major | 2 | 8B | 80 BPM | ||
| Introspective | Hollow Horses | G Major | 3 | 9B | 80 BPM | ||
| The Promise | Hampshire & Foat | C Major | 1 | 8B | 145 BPM | ||
| Stratum | Visible Cloaks, Yoshio Ojima, Satsuki Shibano | B Major | 0 | 1B | 180 BPM | ||
| Pouring Down | Western Skies Motel | A Minor | 3 | 8A | 145 BPM |