"El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans: 14. Die Freundlichkeit (Friendliness - L'Amabilité)" by Hans Werner Henze, William Pearson, Karlheinz Zoeller, Leo Brouwer, Stomu Yamash'ta had its release date on January 1, 1996. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Hans Werner Henze, William Pearson, Karlheinz Zoeller, Leo Brouwer, Stomu Yamash'ta's "Henze: El Cimarrón" album is number 14 out of 15. On top of that, Germany appears to be the country where this track was created. El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans: 14. Die Freundlichkeit (Friendliness - L'Amabilité) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans: 14. Die Freundlichkeit (Friendliness - L'Amabilité) by Hans Werner Henze, William Pearson, Karlheinz Zoeller, Leo Brouwer, Stomu Yamash'ta to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
| Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 158 BPM | ||
| Adriana Lecouvreur, Act 2: Intermezzo | Francesco Cilea, Opera Australia Orchestra, Andrea Molino | F Major | 0 | 7B | 124 BPM | ||
| Petrouchka: Chez Petrouchka | Ferenc Fricsay, Berliner Philharmoniker | E Minor | 3 | 9A | 89 BPM | ||
| Drei Mozartsche Orgelsonaten: III. Allegro (KV 328) | Hans Werner Henze, Mozarteum Orchestra Salzburg, Lin Liao | G Major | 1 | 9B | 114 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: I. Nacht | Richard Strauss, Berliner Philharmoniker, Seiji Ozawa | F Major | 0 | 7B | 83 BPM | ||
| Organ Concerto in G Minor, FP 93: IV. Tempo allegro. Molto agitato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Minor | 0 | 3A | 133 BPM | ||
| Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
| Konzertmusik: II. Sehr langsam | Hans Werner Henze, Mozarteum Orchestra Salzburg, Lin Liao, Ziyu He | G Minor | 0 | 6A | 65 BPM | ||
| Le sacre du printemps / Pt. 1: L'Adoration de la terre: VIII. Danse de la terre | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | A♭ Minor | 0 | 1A | 84 BPM | ||
| Honegger : Symphony No.1 in C major : II Adagio | Arthur Honegger, Charles Dutoit, Bavarian Radio Symphony Orchestra | B Major | 0 | 1B | 78 BPM | ||
| Tempus fugit: III. Part 3 | Magnus Lindberg, NDR Elbphilharmonie Orchester, Alan Gilbert | A Major | 2 | 11B | 92 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l’Éternité de Jésus | Olivier Messiaen, Louise Bessette, Cameron Crozman | G Major | 2 | 9B | 116 BPM | ||
| Sinfonia antartica "Symphony No. 7": III. Landscape. Lento – | Ralph Vaughan Williams, BBC Symphony Orchestra, Martyn Brabbins | C Minor | 1 | 5A | 64 BPM | ||
| Poulenc: Sextet for Piano and Winds, FP 100: I. Allegro vivace | Francis Poulenc, Les Vents Français | E Minor | 1 | 9A | 76 BPM | ||
| Jūra, MKČ 102: VII. Coda | Mikalojus Konstantinas Čiurlionis, Lithuanian National Symphony Orchestra, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Gentle Waves | Rylandiaa | F Minor | 5 | 4A | 104 BPM | ||
| Transfigured Night, Op. 4 (Version for String Orchestra): Pesante - Grave | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | E Major | 0 | 12B | 73 BPM | ||
| Sinfonietta, JW VI/18: II. The Castle, Brno. Andante – Allegretto | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelík | A♭ Minor | 2 | 1A | 144 BPM | ||
| Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Khovanshchina: Prelude. Dawn on the Moscow River | Modest Mussorgsky, Orchester der Wiener Staatsoper, Claudio Abbado | D♭ Major | 0 | 3B | 99 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: Nacht (2) | Richard Strauss, Finnish Radio Symphony Orchestra, Nicholas Collon | F♯ Minor | 3 | 11A | 129 BPM | ||
| Revue Music | Sofia Gubaidulina, Basel Sinfonietta, Titus Engel, NDR Bigband | D♭ Major | 3 | 3B | 71 BPM | ||
| Symphony No. 3: II | Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste | A Minor | 0 | 8A | 95 BPM | ||
| Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM |