Charlie Chaplin's 'Evening / The Millionaire' had a release date set for 1931. This song is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. The song is number 4 out of 13 in City Lights (Original Motion Picture Soundtrack) by Charlie Chaplin. Evening / The Millionaire is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Evening / The Millionaire by Charlie Chaplin is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The O'Hara Family | Max Steiner | F Major | 2 | 7B | 102 BPM | ||
| The Murder at the Vicarage - A Summer's Day | Dominik Scherrer | F Major | 2 | 7B | 97 BPM | ||
| Missing Love Fantasy | Luciano Lombardi | B♭ Major | 1 | 6B | 101 BPM | ||
| 4-50 from Paddington - Railways | Dominik Scherrer | F♯ Minor | 4 | 11A | 140 BPM | ||
| Eternally (The Terry Theme from Limelight) | Charlie Chaplin, Philippe Quint | F Major | 2 | 7B | 71 BPM | ||
| Air on G.String | Various Artists | D Major | 2 | 10B | 141 BPM | ||
| London 1900 (Filby's Theme) [Remastered 2022] | Russell Garcia | A Major | 0 | 11B | 177 BPM | ||
| Ritornello dell’intervista | Nicola Piovani | B Minor | 5 | 10A | 113 BPM | ||
| By the Pricking of My Thumbs - Opening | Dominik Scherrer | A Minor | 3 | 8A | 139 BPM | ||
| Main Title - Gone With the Wind | Max Steiner | F Major | 4 | 7B | 122 BPM | ||
| Les vacances - Rag-Time | Vladimir Cosma, Orchestre Philarmonique de Paris | B♭ Major | 2 | 6B | 106 BPM | ||
| La septième cible - Générique | Vladimir Cosma, Ivry Giltis | A Minor | 2 | 8A | 107 BPM | ||
| Galleon | Philipp Alexander Geitmann | C Minor | 2 | 5A | 111 BPM | ||
| Cello Groove | Laurent Dury, ArtSound | F Major | 1 | 7B | 120 BPM | ||
| Carmen, WD 31: Habanera | Georges Bizet, Ludmila Peterková, Irina Kondratenko | D Major | 0 | 10B | 99 BPM | ||
| La Cumparsita | Gerardo Matos Rodríguez, Ludmila Peterková, Irina Kondratenko | G Minor | 1 | 6A | 139 BPM | ||
| Sunrise Over Seville | Georges Bizet, Joachim Schmeißer, Ksenija Sidorova, Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel | B♭ Minor | 1 | 3A | 73 BPM | ||
| María - West Side History | Berstein, Sondheim, Violines De Villafontana | E♭ Minor | 1 | 2A | 101 BPM | ||
| Theme (From "The Third Man") | Anton Karas | G Major | 5 | 9B | 145 BPM | ||
| Folie Czardas - From Borsalino & Co | Claude Bolling | G Minor | 3 | 6A | 159 BPM | ||
| El Alcance del Tiempo | Sirenas Celestiales | F Minor | 0 | 4A | 108 BPM | ||
| The Pepperland Suite: I. Pepperland | George Martin, Berlin Music Ensemble, Craig Leon | G Major | 2 | 9B | 107 BPM | ||
| Postino Bambino | Luis Bacalov | E♭ Major | 3 | 5B | 81 BPM | ||
| Charlie Chaplin: Temaer Fra "Limelight" | Charlie Chaplin, Arve Tellefsen | F Major | 1 | 7B | 88 BPM | ||
| Morte a Venezia - Adagietto From the 5th Symphony of Mahler - Theme from the Film "Morte a Venezia" | Peter Hamilton Orchestra, Dorsey Dodd | D♭ Minor | 1 | 12A | 95 BPM |