"フゲッタ形式による7つの小品 II" by R. シューマン, ザ・クラリネット・アンサンブル, 山本正治(クラリネット), 磯部周平(クラリネット), 十亀正司(クラリネット), 三界秀実(クラリネット), 澤村康恵(クラリネット) had its release date on January 24, 2004. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in クラリネット・ラプソディ, so we believe that "フゲッタ形式による7つの小品 II" is a single. フゲッタ形式による7つの小品 II is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of フゲッタ形式による7つの小品 II by R. シューマン, ザ・クラリネット・アンサンブル, 山本正治(クラリネット), 磯部周平(クラリネット), 十亀正司(クラリネット), 三界秀実(クラリネット), 澤村康恵(クラリネット) is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Holberg Suite, Op. 40: V. Rigaudon | Edvard Grieg, Ivana Gavrić | D♭ Major | 1 | 3B | 66 BPM | ||
| Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): II. Variation I | Saverio Mercadante, Claudio Ferrarini | A♭ Major | 1 | 4B | 81 BPM | ||
| 5 Salonstücke, Op. 28: No. 4, Romanze (Arr. Isserlis for Cello & Piano) | Ferdinand David, Steven Isserlis, Connie Shih | A♭ Major | 1 | 4B | 81 BPM | ||
| Improvisations on Themes of Clara Schumann | Stewart Goodyear, Alexander Shelley, Canada's National Arts Centre Orchestra | E Minor | 1 | 9A | 106 BPM | ||
| Suite in the Old Style (excerpts, Arr. for Cello and Piano by J. Sévilla-Fraysse): I. Pastorale | Alfred Schnittke, Julie Sévilla-Fraysse, Anastasia Calmus | A♭ Major | 1 | 4B | 81 BPM | ||
| Piano Trio in G Minor, Op. 17: II. Scherzo. Tempo di Menuetto | Clara Schumann, Dartington Piano Trio | B♭ Major | 0 | 6B | 145 BPM | ||
| Symphonic Etudes, Op. 13: Variation VII (1852) | Robert Schumann, Paolo Ceccarini | D♭ Major | 2 | 3B | 143 BPM | ||
| Suita Concertante-Encounters IV for Viola Clarinet and Chamber Orchestra: II. Allegro | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A Minor | 2 | 8A | 137 BPM | ||
| Suite bergamasque, L. 75: II. Menuet | Claude Debussy, Elliot Wuu | C Major | 5 | 8B | 154 BPM | ||
| 10 Preludes, Op. 23: No. 4 in D Major | Sergei Rachmaninoff, Jean-Baptiste Fonlupt | D♭ Major | 1 | 3B | 126 BPM | ||
| シチリアーノ | George Frideric Handel, ヤーノシュ・シュタルケル, Shigeo Neriki | E Minor | 0 | 9A | 75 BPM | ||
| 12 Variations for Violin and Piano on "La bergère Célimène", K. 359: Var. 11. Adagio | Wolfgang Amadeus Mozart, Alina Ibragimova, Cédric Tiberghien | G Major | 0 | 9B | 104 BPM | ||
| Oscher: Rapsodia latina: I. Guajira | Efraín Oscher, Lucienne Renaudin Vary, Sascha Goetzel, Orchestre de chambre de Paris | D Minor | 2 | 7A | 78 BPM | ||
| Trois études poétiques, Op. 32: I. Étude poétique | Signe Lund, Rune Alver | C Major | 0 | 8B | 64 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | A♭ Major | 1 | 4B | 81 BPM | ||
| Orfeo ed Euridice (arr. G. Sgambati): Melodie | Giovanni Sgambati, Christoph Willibald Gluck, Anthony Goldstone | D Minor | 0 | 7A | 152 BPM | ||
| 7 Variations on Bei Männern, welche Liebe fühlen, WoO 46: Variation 6 | Ludwig van Beethoven, Simon Velthuis | A♭ Major | 1 | 4B | 81 BPM | ||
| Clarinet Trio in A Minor, Op. 114: I. Allegro | Johannes Brahms, Han Chen, Clare Monfredo, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Préludes, Book 1, CD 125: VIII. La fille aux cheveux de lin (Transcr. Ottensamer for Clarinet and Piano) | Claude Debussy, Andreas Ottensamer, José Gallardo | F Major | 0 | 7B | 73 BPM | ||
| Trio in A Major (Hob. XV:18): II. Andante | Joseph Haydn, Gryphon Trio | B Minor | 0 | 10A | 89 BPM | ||
| 3つのロマンス 作品94 Ⅰ. Nicht schnell | R. シューマン, 工藤重典(フルート), カール=アンドレアス・コリー(ピアノ) | A Minor | 1 | 8A | 76 BPM | ||
| おとぎの絵本 作品113 IV. Langsam, mit melancholischem Ausdruck | R. シューマン, 店村眞積(ヴィオラ), 練木繁夫(ピアノ) | A Minor | 1 | 8A | 71 BPM | ||
| Tango, Op. 23 No. 11 | Wojciech Rybicki, Anna Miernik | C Major | 1 | 8B | 70 BPM | ||
| Violin Sonata in A Major, FWV 8 (Arr. for Cello and Piano by Jules Delsart): I. Allegro ben moderato | César Franck, Lidy Blijdorp, Tobias Borsboom | A♭ Major | 1 | 4B | 81 BPM | ||
| Debussy: Children's Corner, CD 119a, L. 113: III. Serenade for the Doll | Claude Debussy, Aldo Ciccolini | D♭ Minor | 0 | 12A | 126 BPM |