"Psyched" by Paul Leonard-Morgan had its release date on January 1, 2011. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Paul Leonard-Morgan's "Limitless" album is number 2 out of 25. On top of that, United States appears to be the country where this track was created. In terms of popularity, Psyched is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Psyched by Paul Leonard-Morgan to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rooftops | Ola Strandh | B♭ Minor | 3 | 3A | 164 BPM | ||
| All In | Christopher Young | F♯ Major | 0 | 2B | 48 BPM | ||
| Lincoln City | Ryan Taubert | F Minor | 3 | 4A | 90 BPM | ||
| Don't Tell Anyone | Cliff Martinez | A♭ Minor | 2 | 1A | 144 BPM | ||
| Second Attack | Henry Jackman | G Major | 8 | 9B | 160 BPM | ||
| Lucy Is Going Out, Pt. 1 | Éric Serra | B♭ Major | 1 | 6B | 110 BPM | ||
| The Hive | Michael McCann | B Minor | 6 | 10A | 160 BPM | ||
| Trading Up | Paul Leonard-Morgan | G Major | 9 | 9B | 113 BPM | ||
| Irrevocable | Atli Örvarsson | D♭ Major | 2 | 3B | 79 BPM | ||
| Serk | Jed Palmer | B♭ Minor | 8 | 3A | 100 BPM | ||
| Chuck Rhodes, Riderless Horse | Brendan Angelides, Eskmo | G Major | 1 | 9B | 85 BPM | ||
| Meet Cute | David Fleming | A♭ Minor | 1 | 1A | 85 BPM | ||
| Faint Frequencies | Ryan Taubert | D♭ Major | 5 | 3B | 105 BPM | ||
| The Plan | Paul Leonard-Morgan | F♯ Minor | 5 | 11A | 95 BPM | ||
| Paris-Rouen | Lance Hayes | F♯ Minor | 4 | 11A | 110 BPM | ||
| July 27th - K-Pax (Original Motion Picture Soundtrack) | Edward Shearmur | E Major | 4 | 12B | 128 BPM | ||
| Making Tea | Samurai Jack | C Major | 0 | 8B | 69 BPM | ||
| Hotel Mira | Adam Peters | C Major | 1 | 8B | 93 BPM | ||
| Borden Meets Sarah | The Prestige | E Minor | 1 | 9A | 74 BPM | ||
| You Want More? | Paul Leonard-Morgan | D Major | 1 | 10B | 103 BPM | ||
| The Rise of Ma-Ma | Paul Leonard-Morgan | E Minor | 1 | 9A | 108 BPM | ||
| Consequences & Loss | Antonio Pinto | A Major | 2 | 11B | 125 BPM | ||
| Bad Man | Trevor Rabin | B♭ Major | 5 | 6B | 139 BPM | ||
| Wronged | Guillermo Martorell | G Minor | 1 | 6A | 108 BPM | ||
| Park Chase | Andrea Guerra | A Major | 1 | 11B | 104 BPM |