"Late Arrival / The Raid" by Jerry Goldsmith had its release date on 1997. With This song being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jerry Goldsmith's "L.A. Confidential (Original Motion Picture Score / Deluxe Edition)" album is number 6 out of 39. On top of that, United States appears to be the country where this track was created. In terms of popularity, Late Arrival / The Raid is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Late Arrival / The Raid by Jerry Goldsmith to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Trees | Jerry Goldsmith | A Major | 1 | 11B | 86 BPM | ||
| Marion's Theme / The Crate | John Williams, London Symphony Orchestra | G Major | 2 | 9B | 84 BPM | ||
| Rocketeer to the Rescue/End Title - 1991 Soundtrack Album/2020 Remaster | James Horner | C Major | 2 | 8B | 95 BPM | ||
| Flying Home | Joel McNeely | G Major | 2 | 9B | 93 BPM | ||
| I take off my hat | Sami Hoxhaj, Saemyhoca | F Minor | 1 | 4A | 119 BPM | ||
| Enchanted Suite - From "Enchanted"/Score | Alan Menken | G Major | 4 | 9B | 110 BPM | ||
| The Penitent Man Will Pass | John Williams | G Major | 3 | 9B | 150 BPM | ||
| Camelot | Jerry Goldsmith | F Major | 0 | 7B | 139 BPM | ||
| Journey to Fort Sedgewick / Shooting Star / The John Dunbar Theme / Arrival at Fort Sedgewick (From "Dance with Wolves" Soundtrack) | John Barry | B♭ Major | 1 | 6B | 81 BPM | ||
| Spooner Spills | Marco Beltrami | D Minor | 2 | 7A | 99 BPM | ||
| Anything Is Possible | Don Davis | D Minor | 2 | 7A | 119 BPM | ||
| A Wondrous Place - From "Tarzan"/Score | Mark Mancina, Phil Collins | F Major | 1 | 7B | 85 BPM | ||
| Tidal Wave | Harald Kloser | F Major | 5 | 7B | 145 BPM | ||
| Opening Titles | Rob Lane | D Minor | 6 | 7A | 99 BPM | ||
| Fratelli Chase | Dave Grusin | D Minor | 4 | 7A | 80 BPM | ||
| The Goondocks (Goonies Theme) | Dave Grusin | A Major | 2 | 11B | 87 BPM | ||
| Shawshank Prison - Stoic Theme | Thomas Newman | G Minor | 1 | 6A | 81 BPM | ||
| Out Of Control / The Crash | Dennis McCarthy | C Major | 3 | 8B | 144 BPM | ||
| Love Theme | Miklós Rózsa | C Minor | 0 | 5A | 87 BPM | ||
| Prologue / Main Title | Stu Phillips | F Major | 0 | 7B | 71 BPM | ||
| The Whammer Strikes Out | Randy Newman | A Major | 1 | 11B | 106 BPM | ||
| Nuclear Scam | Basil Poledouris | G Major | 3 | 9B | 135 BPM | ||
| Amazons Of Themyscira | Rupert Gregson-Williams | E Minor | 2 | 9A | 80 BPM | ||
| The Anvil of Crom (Form "CONAN THE BARBARIAN") | Basil Poledouris | G Minor | 4 | 6A | 123 BPM | ||
| Into the Starscape | Craig Safan | E♭ Major | 2 | 5B | 113 BPM |