Hyperion Ensemble, Ruben Peloni's ' "Condena (S.O.S.)" was released on its scheduled release date, August 1, 2014. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Condena (S.O.S.)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Remembranzas". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Based on our statistics, Condena (S.O.S.)'s popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Condena (S.O.S.) by Hyperion Ensemble, Ruben Peloni having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Alma De Bohemia | Pedro Laurenz, Alberto Podestá | D♭ Major | 2 | 3B | 108 BPM | ||
| Invierno | Cuarteto Mulenga | A Major | 4 | 11B | 123 BPM | ||
| Vuelves | Orquesta Típica Osvaldo Fresedo, Roberto Ray | A Minor | 2 | 8A | 127 BPM | ||
| Alguien | Rodolfo Biagi, Orquesta de Rodolfo Biagi, Hugo Duval | D♭ Major | 2 | 3B | 108 BPM | ||
| Alas Rotas | Edgardo Donato & his orchestra | A Major | 3 | 11B | 130 BPM | ||
| Luna de arrabal - Estilo Ricardo Tanturi | SEXTETO VISCERAL | E Major | 4 | 12B | 98 BPM | ||
| Ella Es Así | Sexteto Milonguero | E Minor | 3 | 9A | 104 BPM | ||
| Volvamos a empezar | Hyperion Ensemble, Ruben Peloni | C Minor | 4 | 5A | 124 BPM | ||
| Marion | Rodolfo Biagi, Miguel Caló, Raul Iriarte | D Major | 3 | 10B | 128 BPM | ||
| El huracán | Florindo Sassone Y Su Orquesta | G Minor | 3 | 6A | 117 BPM | ||
| No le Digas Que la Quiero | Francisco Fiorentino | D Minor | 4 | 7A | 129 BPM | ||
| Yuyo Brujo | Pablo Valle Sexteto | C Minor | 4 | 5A | 131 BPM | ||
| La Vida Es Una Milonga | Pedro Laurenz, Martín Podestá | D♭ Major | 2 | 3B | 108 BPM | ||
| Milonga del '83 | La Juan D'Arienzo | G Major | 5 | 9B | 107 BPM | ||
| Francia | Francico Canaro | D Minor | 3 | 7A | 94 BPM | ||
| Se Va La Vida | Edgardo Donato & his orchestra | E Major | 3 | 12B | 130 BPM | ||
| El Abrojito | La Auténtica Milonguera | D Major | 3 | 10B | 142 BPM | ||
| Vuelve amor | Orquesta Fulvio Salamanca, Armando Guerrico | D Major | 3 | 10B | 78 BPM | ||
| Luna de Plata | Orquesta Típica Sans Souci, César Peduzzi | G Major | 4 | 9B | 103 BPM | ||
| A La Gran Muñeca | Florindo Sassone Y Su Gran Orq. Tipica | A Minor | 3 | 8A | 59 BPM | ||
| Tú!... el cielo y tú! | Orquesta Típica Francisco Canaro, Guillermo Rico | F♯ Major | 3 | 2B | 133 BPM | ||
| Portenissimo | Hyperion Ensemble | G Minor | 3 | 6A | 117 BPM | ||
| Al Compás Del Corazón | Orquesta Típica Andariega, Marisol Martinez | G Major | 4 | 9B | 122 BPM | ||
| Bajo un Cielo de Estrellas | Orquesta Típica Sans Souci | A Major | 4 | 11B | 99 BPM | ||
| String Sextet, Op. 45 (1924): I. Allegro Risoluto | Erwin Schulhoff, Hyperion Ensemble, Annelie Gahl, Gunde Jäch-Micko, Firmian Lermer, Jörg Steinkrauß, Detlef Mielke, Astrid Sulz | B♭ Major | 0 | 6B | 115 BPM |