Paul Sanchez, Colman deKay, Shamarr Allen's ' "We Are the Band - feat. Shamarr Allen" was released on its scheduled release date, January 31, 2012. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. We Are the Band - feat. Shamarr Allen's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "Nine Lives - a Musical Story of New Orleans (The Complete Set)". In this album, this song's track order is #4. Based on our statistics, We Are the Band - feat. Shamarr Allen's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With We Are the Band - feat. Shamarr Allen by Paul Sanchez, Colman deKay, Shamarr Allen having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Can of Worms | New Orleans Nightcrawlers | A Minor | 6 | 8A | 102 BPM | ||
| Goin' Back to New Orleans | Dr. John | B♭ Minor | 7 | 3A | 97 BPM | ||
| Ain't No Place to Pee on Mardi Gras Day | Benny Grunch & The Bunch | B♭ Major | 5 | 6B | 202 BPM | ||
| Little Liza Jane | Dr. John | F Minor | 8 | 4A | 164 BPM | ||
| Gloria on the Phone - feat. Paul Sanchez & Arséne DeLay | Paul Sanchez, Colman deKay, Arséne DeLay | F Major | 2 | 7B | 84 BPM | ||
| Bald Head - Remastered | Professor Longhair | B♭ Minor | 9 | 3A | 91 BPM | ||
| Two-Step de Port Arthur | BeauSoleil avec Michael Doucet | C Major | 10 | 8B | 106 BPM | ||
| La Danse De Mardi Gras | Steve Riley, Steve Earle, Eunice Revelers | G Major | 5 | 9B | 188 BPM | ||
| Indian Red (Wild Man Memorial) | Mardi Gras Indians | D Major | 8 | 10B | 110 BPM | ||
| Brother John Is Gone / Herc-Jolly-John | Wild Magnolias | G Major | 7 | 9B | 111 BPM | ||
| Walking on Glass - feat. Tanya Boutté, John Rankin & Chip Wilson | Paul Sanchez, Colman deKay, Tanya Boutté, John Rankin, Chip Wilson | A Major | 3 | 11B | 108 BPM | ||
| Creole Mardi Gras | Pine Leaf Boys | C Major | 9 | 8B | 97 BPM | ||
| It's All Over Now | The Dirty Dozen Brass Band | F Minor | 6 | 4A | 109 BPM | ||
| Loose Parts | Paul Sanchez | G Major | 3 | 9B | 93 BPM | ||
| Gone | Amanda Shaw | D Major | 8 | 10B | 105 BPM | ||
| Hey Now Baby | Bo Dollis Jr, The Wild Magnolias | C Major | 8 | 8B | 111 BPM | ||
| I Think I Love You | Preservation Hall Jazz Band | A♭ Major | 6 | 4B | 78 BPM | ||
| Mardi Gras Day | Dr. John | A♭ Major | 7 | 4B | 104 BPM | ||
| On the Sunny Side of the Street | James Booker | E♭ Major | 2 | 5B | 134 BPM | ||
| Long Hard Journey Home | The Radiators | D Major | 6 | 10B | 125 BPM | ||
| Foot Of Canal Street | John Boutté | B♭ Major | 5 | 6B | 72 BPM | ||
| Goin' Down To Louisiana | Cedric Watson, Corey Ledet | F Major | 9 | 7B | 80 BPM | ||
| Mardi Gras Zydeco | Rockin' Sidney | B♭ Minor | 5 | 3A | 154 BPM | ||
| Renee Stomp | Lost Bayou Ramblers | G Major | 7 | 9B | 186 BPM | ||
| South Rampart Street Parade | Leroy Jones | E♭ Major | 5 | 5B | 107 BPM |