Taking Back Sunday's ' "Ghost Man On Third - Acoustic Version" was released on its scheduled release date, June 28, 2011. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Taking Back Sunday (Deluxe Edition)". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. Based on our statistics, Ghost Man On Third - Acoustic Version's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Ghost Man On Third - Acoustic Version by Taking Back Sunday having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Didn't See That Coming - Live From Orensanz, New York, NY / 2010 | Taking Back Sunday | D♭ Major | 5 | 3B | 85 BPM | ||
| Junesong Provision [Acoustic Demo | Coheed and Cambria | A♭ Major | 4 | 4B | 141 BPM | ||
| Separation (Acoustic) | Balance And Composure | B♭ Major | 5 | 6B | 110 BPM | ||
| Surprise, Surprise | The Starting Line | A♭ Major | 10 | 4B | 126 BPM | ||
| The Point | Hidden In Plain View | A Major | 8 | 11B | 176 BPM | ||
| Asleep In The Chapel | Thursday | B Minor | 9 | 10A | 155 BPM | ||
| Scarlett Letter, Pt. 2 | Halifax | A♭ Minor | 4 | 1A | 112 BPM | ||
| Teleport A & B | The Spill Canvas | F♯ Major | 6 | 2B | 145 BPM | ||
| Playing For Keeps | Matchbook Romance | E Major | 5 | 12B | 79 BPM | ||
| Tonight We Feel Alive (On A Saturday) - Acoustic | Four Year Strong | E Minor | 8 | 9A | 88 BPM | ||
| Great Romances of the 20th Century (Live Acoustic TAYF10) | Taking Back Sunday | B♭ Major | 8 | 6B | 155 BPM | ||
| Find My Way Back - Acoustic | Four Year Strong | G Major | 6 | 9B | 113 BPM | ||
| Nobody Puts Baby In The Corner - Acoustic Version | Fall Out Boy | B Minor | 8 | 10A | 125 BPM | ||
| Love Your Friends, Die Laughing | Man Overboard | A♭ Major | 8 | 4B | 82 BPM | ||
| Dinner At The Money Table | The Early November | F♯ Major | 4 | 2B | 100 BPM | ||
| Fine - Acoustic | Alkaline Trio | A Major | 5 | 11B | 145 BPM | ||
| Only One Acoustic | Yellowcard | B Minor | 8 | 10A | 162 BPM | ||
| Endangered Innocence | Forever Came Calling | A♭ Major | 4 | 4B | 117 BPM | ||
| Sympathy For The Martyr | Straylight Run | E Major | 7 | 12B | 148 BPM | ||
| Love Love, Kiss Kiss (Acoustic) [Bonus] | Alkaline Trio | G Major | 6 | 9B | 122 BPM | ||
| Selective | The Starting Line | D Major | 9 | 10B | 138 BPM | ||
| Dyed In The Wool (Safe Camp Sessions Acoustic Version) | Circa Survive | E Major | 5 | 12B | 121 BPM | ||
| I'll Let You Live | Taking Back Sunday | D♭ Major | 7 | 3B | 106 BPM | ||
| Apology | Alesana | B Minor | 6 | 10A | 141 BPM | ||
| Trust | Thrice | E Major | 4 | 12B | 129 BPM |