"A Devotion Upon Emergent Occasions" by The Matthew Herbert Big Band, Matthew Herbert had its release date on March 29, 2019. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "The State Between Us". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, A Devotion Upon Emergent Occasions is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A Devotion Upon Emergent Occasions by The Matthew Herbert Big Band, Matthew Herbert having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aqui Como Alla | Marc Ribot, Los Cubanos | A Major | 4 | 11B | 114 BPM | ||
| Europe | Framix | A Minor | 6 | 8A | 105 BPM | ||
| Calling England Home | Anthony Joseph | A♭ Major | 4 | 4B | 152 BPM | ||
| Trilogy | Don Shirley | A♭ Major | 3 | 4B | 134 BPM | ||
| Everybody's Got to Learn Sometimes | Pink Turtle | A Minor | 6 | 8A | 108 BPM | ||
| The Bellman's Speach | Bajka | D Major | 5 | 10B | 80 BPM | ||
| Kaikoura | Girls in Airports | D Minor | 3 | 7A | 165 BPM | ||
| Ain't No Sunshine | Rahsaan Roland Kirk | D Minor | 4 | 7A | 181 BPM | ||
| Soul Vibrations | Alina Bzhezhinska, HipHarpCollective | B♭ Minor | 3 | 3A | 88 BPM | ||
| Combly Family | Laurent Bardainne, Tigre d'Eau Douce | B♭ Major | 5 | 6B | 131 BPM | ||
| Montreux Sunrise | The Elder Statesman | D♭ Minor | 5 | 12A | 92 BPM | ||
| L'Espagne pour mémoire | Michel Portal | G Minor | 1 | 6A | 46 BPM | ||
| Vuelvo Al Sur | Astor Piazzolla, Koop | A Minor | 3 | 8A | 139 BPM | ||
| The Seventh Son | Mose Allison | D♭ Major | 3 | 3B | 75 BPM | ||
| Blind Man Blind Man | Dave Pike | B♭ Major | 7 | 6B | 124 BPM | ||
| You're Welcome Here (Brexit Edition) | The Matthew Herbert Big Band | B♭ Minor | 3 | 3A | 98 BPM | ||
| Why Should I Cry | Avia | D♭ Minor | 4 | 12A | 93 BPM | ||
| LONELY MELODY | Dorothy Ashby | A Minor | 3 | 8A | 142 BPM | ||
| Magnificent Moon | Lucien Johnson | F Major | 3 | 7B | 98 BPM | ||
| Aurora En Pekin | Marc Ribot, Los Cubanos | D Minor | 1 | 7A | 88 BPM | ||
| Frank and Stein | Mop Mop | G Minor | 4 | 6A | 93 BPM | ||
| Golden Brown | THE TAKE VIBE E.P. | D♭ Major | 4 | 3B | 104 BPM | ||
| Paris By Night | André Charlier, Benoit Sourisse | B♭ Major | 2 | 6B | 61 BPM | ||
| Extremely Cool | Chuck E. Weiss | G Major | 3 | 9B | 71 BPM | ||
| Claire | Christian Prommer's Drumlesson | D Major | 4 | 10B | 110 BPM |