"Peter Grimes, Op. 33 / Act 3: "Mr. Swallow!"" by Benjamin Britten, Lauris Elms, Jean Watson, Owen Brannigan, David Kelly, Orchestra of the Royal Opera House, Covent Garden had its release date on January 1, 1959. With This song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 45 in Britten: Peter Grimes by Benjamin Britten, Sir Peter Pears, Claire Watson, Orchestra of the Royal Opera House, Covent Garden. In terms of popularity, Peter Grimes, Op. 33 / Act 3: "Mr. Swallow!" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Peter Grimes, Op. 33 / Act 3: "Mr. Swallow!" by Benjamin Britten, Lauris Elms, Jean Watson, Owen Brannigan, David Kelly, Orchestra of the Royal Opera House, Covent Garden is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fauré: Super flumina Babylonis | Gabriel Fauré, Paavo Järvi, Choeur de l'Orchestre de Paris, Laetitia Singleton, Maria Virginia Savastano, Mathias Vidal, Ugo Rabec, Orchestre de Paris | A Minor | 1 | 8A | 115 BPM | ||
| Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): III. Act III: Scene 2. Opening - Interlude 5 - Act IV: Interlude 6 | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | D♭ Major | 1 | 3B | 74 BPM | ||
| O clap your hands | Ralph Vaughan Williams, Elora Festival Singers, Thomas Fitches, Noel Edison | C Minor | 1 | 5A | 86 BPM | ||
| Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen | F Minor | 0 | 4A | 100 BPM | ||
| Down a Country Lane | Aaron Copland, BBC Philharmonic, John Wilson | F Major | 0 | 7B | 81 BPM | ||
| Irmelin Prelude | Frederick Delius, London Symphony Orchestra, Sir John Barbirolli | F♯ Major | 0 | 2B | 96 BPM | ||
| D'un matin de printemps | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 130 BPM | ||
| 3 Dance Episodes from On the Town: No. 2, Lonely Town | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D Minor | 2 | 7A | 105 BPM | ||
| Sea Pictures, Op. 37: No. 1, Sea Slumber-Song | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | C Minor | 3 | 5A | 133 BPM | ||
| Gandrille: Magnificat, Op. 50: I. Magnificat | Jean-Charles Gandrille, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | C Minor | 3 | 5A | 84 BPM | ||
| Daphnis et Chloé, M. 57 / Première partie: Danse religieuse - Modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | A Major | 1 | 11B | 174 BPM | ||
| Peter Grimes, 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 78 BPM | ||
| Ave, dulcissima Maria | Carlo Gesualdo, The Monteverdi Choir, Jonathan Sells | D Minor | 2 | 7A | 74 BPM | ||
| A Hymn to the Virgin | Benjamin Britten, Phoenix Chorale, Charles Bruffy, Kira Rugen, Amy Perciballi, Robert Comeaux, David Topping | E Major | 0 | 12B | 88 BPM | ||
| Die Dreigroschenoper: Overture (Arr. for Double Bass, Piano & Accordion by Murray Grainger, Marianne Schofield & William Vann) | Kurt Weill, William Vann, Murray Grainger, Marianne Schofield | B♭ Major | 1 | 6B | 107 BPM | ||
| Vexilla regis, WAB 51 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | F Major | 0 | 7B | 82 BPM | ||
| Veni creator | Arvo Pärt, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | G Major | 0 | 9B | 83 BPM | ||
| Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Yves Castagnet, Anaïs Bertrand, Anaïs Moreau, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
| Requiem, Op. 48: I. Introït | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | B♭ Major | 0 | 6B | 71 BPM | ||
| Suite pastorale: II. Danse villageoise | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 1 | 11B | 126 BPM | ||
| A Song before Sunrise | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A♭ Major | 2 | 4B | 125 BPM | ||
| Berlioz: Les nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b | Hector Berlioz, Véronique Gens, Louis Langrée, Orchestre De L'Opéra National De Lyon | A Major | 1 | 11B | 134 BPM | ||
| Bernstein: Divertimento for Orchestra: II. Waltz | Leonard Bernstein, Paavo Järvi, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 72 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
| Petite messe solennelle: XVI. Sanctus | Gioachino Rossini, Krassimira Stoyanova, Philip Mayers, Philip Moll, Ryoko Morooka, Birgit Remmert, Steve Davislim, Hanno Müller-Brachmann, RIAS Kammerchor, Marcus Creed | C Major | 1 | 8B | 81 BPM |