Anuradha Krishan Rastogi, Krishna Kant Tiwari, Ravindra Singh's ' "Jab Jab Bhagtan Per" was released on its scheduled release date, July 18, 2000. This song is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. The track order of this song in Anuradha Krishan Rastogi, Krishna Kant Tiwari, Ravindra Singh's "Jai Maa Tara Chandi" album is number 2 out of 10. On top of that, India appears to be the country where this track was created. In terms of popularity, Jab Jab Bhagtan Per is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Jab Jab Bhagtan Per by Anuradha Krishan Rastogi, Krishna Kant Tiwari, Ravindra Singh to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gaura Tor Angana | Rajni Pallavi | E Major | 3 | 12B | 68 BPM | ||
| Raeelore Tor Saadher Gharbadi | Parikshit Bala | G Major | 5 | 9B | 82 BPM | ||
| Meri Bigadi Bana Lo Hey Nandlal | Sur Shyam Gaushala Rajendra Das ji Maharaj | B♭ Major | 3 | 6B | 124 BPM | ||
| Vijali Ne Chamkare Motida Parovi Santo | Damyanti Bardai | B Major | 7 | 1B | 105 BPM | ||
| Log Kehete Hain Ki | Santanu Sahoo | C Minor | 9 | 5A | 91 BPM | ||
| Paunahari Teri Sada Hi Jai Jaikar | Pola Ram Dhangwal, Anuradha Paudwal, Anjali, Urmila | A♭ Major | 7 | 4B | 115 BPM | ||
| Bhakti Re Karvi Aene Rank | Damyanti Bardai | B♭ Minor | 8 | 3A | 118 BPM | ||
| Padh Le Rau Bauaa | Dilip Darbhangiya | F♯ Minor | 10 | 11A | 95 BPM | ||
| Teri Khamoshi Pe Qurbaan | Sant Nirankari Mission, Neha Batra, Shubhdeep Singh | F Major | 5 | 7B | 126 BPM | ||
| Dhora Mathe Jhopdi | Sugna Devi | B Major | 9 | 1B | 154 BPM | ||
| Krish Ka Gana Sunega | Ritesh Pandey | E♭ Minor | 7 | 2A | 153 BPM | ||
| Bipada Bele | Arabinda Muduli | D♭ Minor | 9 | 12A | 79 BPM | ||
| Ataichi Ke Chabhi Bhulail | Anuradha Krishan Rastogi, Ranjna Mishra, Priyanka Mishra | E Minor | 6 | 9A | 92 BPM | ||
| Naino Mein Shyam Samaaye Gayo | Baba Rasika Pagal | A♭ Minor | 8 | 1A | 86 BPM | ||
| Holi Ke Jogad | Samar Singh, Kavita Yadav | E♭ Minor | 7 | 2A | 153 BPM | ||
| Sanwara Suratiya | Sharda Sinha | A♭ Major | 6 | 4B | 144 BPM | ||
| Ja Tu Mere Val Hai | Bhai Kuldeep Singh Ji | F♯ Major | 7 | 2B | 121 BPM | ||
| Chandi Chamunda Visa | Hemant Chauhan | F♯ Minor | 10 | 11A | 116 BPM | ||
| Aarti Kunj Bihari Ki | Lakhbir Singh Lakkha | G Major | 7 | 9B | 134 BPM | ||
| चामड़े की पुतली भजन कर ले | Gulab Nathji | A♭ Minor | 9 | 1A | 109 BPM | ||
| Jinagi Ha Anmol Ratan | Radhe Shyam Rasiya | C Major | 10 | 8B | 90 BPM | ||
| Vadha Tera Darbar | Sant Niranjan Singh Ji | E Major | 7 | 12B | 130 BPM | ||
| Kaahe Na Baarat Leke Ail | Anuradha Krishan Rastogi, Kirti Upadhyay, Rekha Tiwari | A Major | 7 | 11B | 125 BPM | ||
| Ghar Laal Aaya Pyara | Bhai Davinder Singh Sodhi | A Minor | 6 | 8A | 129 BPM | ||
| Varava Kode Chamundi | B.K. Sumitra | A♭ Major | 9 | 4B | 91 BPM |