"Tabor -III. Lark" by Carl Rütti had its release date on July 17, 2018. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 17 in Carl Rutti:Organ Works by Carl Rütti. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Tabor -III. Lark is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tabor -III. Lark by Carl Rütti is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Passion Week, Op. 13: VII. The Noble Joseph | Maximilian Steinberg, Cappella Romana, Alexander Lingas | A Minor | 0 | 8A | 74 BPM | ||
| Liturgical Chants: 4 Spiritual Songs. Alleluia | Valentin Silvestrov, Ieva Ezeriete, Kārlis Rūtentāls, Dace Strautmane, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 129 BPM | ||
| Mass for Double Choir: Credo | Frank Martin, Mikaeli Chamber Choir, Anders Eby | G Major | 0 | 9B | 130 BPM | ||
| Messe solennelle, Op. 16: I. Kyrie | Louis Vierne, Gloucester Cathedral Choir, Mark Lee, David Briggs | D♭ Minor | 1 | 12A | 73 BPM | ||
| Baptism of Christ | Peter Hallock, Tim Mackey, St. Mark's Cathedral Choir, J. Melvin Butler | D Minor | 0 | 7A | 146 BPM | ||
| Schaffe in mir Gott ein rein Herz - Psalm 51, 12-14 | Athesinus Consort Berlin, Klaus-Martin Bresgott | A Major | 1 | 11B | 70 BPM | ||
| Ich bin der Welt abhanden gekommen - arr. for choir by Clytus Gottwald | Gustav Mahler, The Rodolfus Choir, Ralph Allwood | D♭ Major | 1 | 3B | 73 BPM | ||
| The Crucifixion: IX. Chorus – God so loved the world | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson | E Major | 2 | 12B | 76 BPM | ||
| Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus | Louis Vierne, Michel Bouvard | E Major | 3 | 12B | 69 BPM | ||
| Sheep May Safely Graze | Laestadian Lutheran Church, Viena Kontkanen, Kaitlyn Huhta, Marianna Saulamaa, Ashley Niemela, Liisa Keranen | A Major | 1 | 11B | 182 BPM | ||
| Christus factus est, WAB 11 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM | ||
| Sub Tuum Paesidium: Sub Tuum Præsidium Pour Sopranos, Altos Et Orgue | Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal, Guy Ropartz | E♭ Major | 1 | 5B | 77 BPM | ||
| Surely He Has Borne Our Griefs | Richard Hillert | E♭ Major | 2 | 5B | 66 BPM | ||
| The Crystal Sea of Mercy SHZ 196 | Laestadian Lutheran Church, Liisa Keranen | B♭ Minor | 1 | 3A | 169 BPM | ||
| SMS: Langweiliges | Matthias Kofmehl, Carl Rütti, Hans-Jürg Sommer | B♭ Minor | 0 | 3A | 70 BPM | ||
| The Bells – A Collaboration | Klaudia Rabiega, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta | A♭ Minor | 1 | 1A | 112 BPM | ||
| Som hjorten törstar | Sven-Erik Bäck, Swedish Chamber Choir, Simon Phipps | D Major | 2 | 10B | 87 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 1: IIb. Kyrie eleison | Edward Elgar, Huddersfield Choral Society, RNCM Chamber Choir, The Orchestra Of Opera North, Martyn Brabbins | A Major | 1 | 11B | 70 BPM | ||
| O Radiant Dawn | James MacMillan, St Salvator's Chapel Choir, Tom Wilkinson | C Minor | 1 | 5A | 164 BPM | ||
| I Will Magnify Thee, O Lord (Psalm 30) | James Turle, Gloriae Dei Cantores, Elizabeth C. Patterson | D Major | 1 | 10B | 67 BPM | ||
| The Earthly Rose | Ēriks Ešenvalds, Stephen Layton, The Choir Of Trinity College, Cambridge | C Minor | 1 | 5A | 176 BPM | ||
| The Blue Bird | Charles Villiers Stanford, New Dublin Voices, Bernie Sherlock | F♯ Major | 0 | 2B | 133 BPM | ||
| Drop, Drop Slow Tears | Orlando Gibbons, The Choir of HM Chapel Royal, Hampton Court Palace, Carl Jackson | F Major | 0 | 7B | 131 BPM | ||
| Requiem, Op. 9: IX. In paradisum | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Chœur de filles Cæcilia, Yves Castagnet, Henri Chalet, Alice Korovitch | D Major | 0 | 10B | 67 BPM | ||
| Dowland-Suite: Sir John’s Jig | Carl Rütti, B-Five Recorder Consort | A♭ Minor | 1 | 1A | 68 BPM |