"Phone and Elevator Blues" by Hesham Nazih had its release date on April 27, 2022. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Phone and Elevator Blues's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hesham Nazih's "Moon Knight (Original Soundtrack)" album is number 4 out of 33. On top of that, United States appears to be the country where this track was created. Phone and Elevator Blues is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Phone and Elevator Blues by Hesham Nazih to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Weird Things Happen | Mark Mothersbaugh | F♯ Minor | 0 | 11A | 119 BPM | ||
| Bird of Aqua Paradise | Mick Giacchino | G Minor | 1 | 6A | 88 BPM | ||
| Chip Disorders | Kevin Kiner | D♭ Major | 6 | 3B | 110 BPM | ||
| The Gravewalker (From "Middle Earth:Shadow of Mordor" Video Game) | Sofa Sounds | D Major | 4 | 10B | 105 BPM | ||
| Nobuharu | Akihiro Manabe | A Minor | 5 | 8A | 78 BPM | ||
| The Cinder King | Critical Role, Omar Fadel | A♭ Major | 3 | 4B | 81 BPM | ||
| Golden Gate Bridge | Patrick Doyle | D♭ Major | 2 | 3B | 160 BPM | ||
| Natasha | Christophe Beck, Michael Paraskevas | A Minor | 0 | 8A | 75 BPM | ||
| The Bounty Hunter Is Back | Kevin Kiner | A Minor | 2 | 8A | 139 BPM | ||
| Just Ask | Joseph Trapanese, The Budapest Art Orchestra | G Major | 3 | 9B | 83 BPM | ||
| The Final Battle Begins | Tyler Bates | C Major | 6 | 8B | 77 BPM | ||
| Alaska | Declan Seth, Morgan Richards | G Major | 4 | 9B | 95 BPM | ||
| Horseback Ambush | Sarah Schachner | D Major | 1 | 10B | 69 BPM | ||
| Full Moon Fight | Hesham Nazih | E Minor | 0 | 9A | 65 BPM | ||
| Ragnarok Suite | Mark Mothersbaugh | D Minor | 4 | 7A | 71 BPM | ||
| Rise of Uk'otoa | Critical Role, Omar Fadel | A Minor | 6 | 8A | 110 BPM | ||
| Come Out Little Piggy | Chris Benstead | A♭ Major | 4 | 4B | 125 BPM | ||
| Village Scales | Hesham Nazih | E Minor | 0 | 9A | 65 BPM | ||
| Reborn | Amie Doherty | D♭ Major | 4 | 3B | 140 BPM | ||
| Game On | Christopher Lennertz, Matt Bowen | E Major | 2 | 12B | 100 BPM | ||
| Bad Parents | Simon Franglen | A Minor | 1 | 8A | 116 BPM | ||
| The Fanny Pack | Son Lux | F Minor | 6 | 4A | 83 BPM | ||
| Loki | Jared Moreno Luna | G Minor | 4 | 6A | 118 BPM | ||
| Emerging Threats | Scott Buckley | A Minor | 5 | 8A | 78 BPM | ||
| Chapstick | Son Lux | F Minor | 2 | 4A | 127 BPM |