"Overture to "Orpheus in the Underworld": Allegro con fuoco - Lento - Allegro vivace - Andante" by Angèle Dubeau, La Pietà had its release date on October 21, 2003. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Angèle Dubeau, La Pietà's "Infernal Violins" album is number 2 out of 16. Overture to "Orpheus in the Underworld": Allegro con fuoco - Lento - Allegro vivace - Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Overture to "Orpheus in the Underworld": Allegro con fuoco - Lento - Allegro vivace - Andante by Angèle Dubeau, La Pietà to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Radiant City | Jóhann Jóhannsson, The Dirac Quartet | F Minor | 1 | 4A | 77 BPM | ||
| Cum Dederit | Armand Amar, Sandrine Piau | A Minor | 1 | 8A | 136 BPM | ||
| The Light She Brings | Joep Beving | D Minor | 0 | 7A | 54 BPM | ||
| Intermezzo | Pietro Mascagni, Manu Brazo, Prajna Indrawati, Claudia Uriarte | A Minor | 1 | 8A | 92 BPM | ||
| Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
| Suite Bergamasque, L. 75: III. Clair de lune | Claude Debussy, Khatia Buniatishvili | D♭ Major | 0 | 3B | 71 BPM | ||
| Poland | Ólafur Arnalds | B♭ Minor | 0 | 3A | 73 BPM | ||
| The Mist: Pt. 2 | Frans Bak, Mari Samuelsen, Hakon Samuelsen, Keld Haaning Ibsen, TrondheimSolistene | C Minor | 2 | 5A | 136 BPM | ||
| Glassworks: VI. Closing | Signal, Michael Riesman | E♭ Major | 1 | 5B | 130 BPM | ||
| Svanire | Angèle Dubeau, La Pietà | F Major | 1 | 7B | 148 BPM | ||
| Lux | Diego Baldenweg, Nora Baldenweg, Lionel Baldenweg, Daniel Hope, Zurich Chamber Orchestra | C Major | 2 | 8B | 94 BPM | ||
| Ladies in Lavender | Nigel Hess, Joshua Bell, Royal Philharmonic Orchestra | D Major | 2 | 10B | 76 BPM | ||
| The Consolations of Philosophy (From “Black Mirror – Nosedive”) | Angèle Dubeau, La Pietà | G Major | 1 | 9B | 86 BPM | ||
| The Stars We Follow | Federico Albanese | A Minor | 1 | 8A | 125 BPM | ||
| Moonlight | Mari Samuelsen | D♭ Minor | 3 | 12A | 85 BPM | ||
| Path 19 (Yet Frailest) (From “From Sleep”) | Angèle Dubeau, La Pietà | D Minor | 1 | 7A | 141 BPM | ||
| Old Katarakt | Wim Mertens | B Minor | 3 | 10A | 101 BPM | ||
| The Wife (Arr. for Violin and String Ensemble by François Vallières and Angèle Dubeau) | Jocelyn Pook, Angèle Dubeau, La Pietà | B♭ Minor | 1 | 3A | 99 BPM | ||
| Life I | Armand Amar | A Minor | 2 | 8A | 120 BPM | ||
| Di Mario: Valzer in A Minor | Roberta Di Mario, Empty Room String Ensemble | F Major | 4 | 7B | 97 BPM | ||
| Stillness Of The Mind | Abel Korzeniowski | A Minor | 0 | 8A | 75 BPM | ||
| Mirror Lake | Angus MacRae | A♭ Major | 1 | 4B | 131 BPM | ||
| irreplaceable | Chad Lawson, Royal Philharmonic Orchestra, James Southall | E Minor | 0 | 9A | 65 BPM | ||
| Satie Variation (Arr. for Violin & Piano after Gymnopédie No. 1 by Svetoslav Karparov) | Erik Satie, Esther Abrami, Iyad Sughayer | G Major | 1 | 9B | 85 BPM | ||
| Often A Bird | Wim Mertens | D Major | 1 | 10B | 154 BPM |