Donald Maxwell's ' "Gesticulate" was released on its scheduled release date, May 27, 1997. This song is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. The track order of this song in Original Studio Cast's "Kismet: Complete Recording (First Complete Recording All Star Cast)" album is number 14 out of 32. On top of that, United Kingdom appears to be the country where this track was created. Gesticulate is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Gesticulate by Donald Maxwell to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Les Troyens, H 133 / Act V: "Ah! Ah! Je vais mourir ... Adieu, fière cité" | Hector Berlioz, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | A♭ Major | 1 | 4B | 80 BPM | ||
| Donizetti: L'elisir d'amore, Act 1: "Della crudele Isotta" (Adina, Coro, Giannetta, Nemorino) | Gaetano Donizetti, Francesco Molinari-Pradelli, Angela Arena, Coro dell'Opera di Roma, Mirella Freni, Nicolai Gedda, Orchestra dell'Opera di Roma | B♭ Major | 4 | 6B | 87 BPM | ||
| Le nozze di Figaro, K.492 / Act 1: N. 8. Coro: “Giovani liete, fiori spargete” | Wolfgang Amadeus Mozart, Rolando Villazón, Jory Vinikour, Vocalensemble Rastatt, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F♯ Major | 0 | 2B | 85 BPM | ||
| Orff: Carmina Burana, Part 3, Cour d'amours: "Tempus est iocundum" | Carl Orff, Janice Watson, James Bowman, Donald Maxwell, Bournemouth Symphony Chorus, Waynflete Singers, Highcliffe Junior Choir, Bournemouth Symphony Orchestra, David Hill, Neville Creed | D Major | 2 | 10B | 134 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 4, Rouse thee, my fainting soul, and play the man (Gerontius) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Allan Clayton | D Major | 2 | 10B | 86 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Ich bin Rosine Leckermaul" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 2 | 10B | 75 BPM | ||
| Berlioz: Béatrice et Bénédict, H 138, Act 2: "Le vin de Syracuse" (Somarone, Chœur) | Hector Berlioz, John Nelson, Chœur de l'Opéra de Lyon, Gabriel Bacquier, Orchestre de l'Opéra de Lyon | G Major | 2 | 9B | 174 BPM | ||
| Rimsky-Korsakov: 4 Romances, Op. 3: No. 4, On the Hills of Georgia | Nikolai Rimsky-Korsakov, Boris Christoff, Alexandre Labinsky | D Minor | 1 | 7A | 82 BPM | ||
| Wagner: Lohengrin, Act 1: "Nun höret mich und achtet wohl! (Herald, Lohengrin, Frederick, Henry, Elsa, Ortrud, Chorus) | Richard Wagner, Daniel Barenboim, Emily Magee, Falk Struckmann, Peter Seiffert, René Pape, Roman Trekel, Staatskapelle Berlin | F Major | 1 | 7B | 81 BPM | ||
| Orfeo ed Euridice: Act III, Scene 3, Ballo. Allegro | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | E Major | 1 | 12B | 114 BPM | ||
| Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | G Major | 1 | 9B | 109 BPM | ||
| Bellini: I puritani: "Suoni la tromba" (Giorgio, Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Turandot, Act I: Perché tarda la luna? (Coro) | Giacomo Puccini, Wiener Philharmoniker, Herbert von Karajan, Wiener Staatsopernchor | F♯ Minor | 1 | 11A | 79 BPM | ||
| Wagner: Lohengrin, Act 1: "Mich irret nicht ihr träumerischer Mut" (Frederick, Henry, Elsa, Chorus) | Richard Wagner, Daniel Barenboim, Falk Struckmann, René Pape, Staatskapelle Berlin | C Minor | 1 | 5A | 83 BPM | ||
| Le nozze di Figaro, K.492 / Act 3: Ecco la marcia... andiamo | Wolfgang Amadeus Mozart, Ferruccio Furlanetto, Dawn Upshaw, Thomas Hampson, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Major | 1 | 8B | 131 BPM | ||
| Donizetti: L'elisir d'amore, Act 2: "Cantiamo, facciam brindisi" (Belcore, Dulcamara, Giannetta, Adina, Coro) | Gaetano Donizetti, Marcello Viotti, Bruno Praticò, Francesca Provvisionato, Mariella Devia, Pietro Spagnoli, Tallis Chamber Choir, English Chamber Orchestra | B♭ Major | 1 | 6B | 83 BPM | ||
| Wagner: Tannhäuser, Act 3: "Wie Todesahnung, Dämmrung deckt die Lande" (Wolfram) | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin, Thomas Hampson | E Major | 0 | 12B | 129 BPM | ||
| Amahl and the Night Visitors: Thank You Good Friends | Curtis Watson, David Syrus, Donald Maxwell, James Rainbird, Ben Turner | E Major | 1 | 12B | 142 BPM | ||
| The Toy Cart: Romanza | Alfred Reynolds, Miranda Keys, Donald Maxwell | A Major | 1 | 11B | 67 BPM | ||
| Puccini: Tosca, Act 3: "Io de' sospiri" (Shepherd) | Giacomo Puccini, Alvaro Cordova/Orchestra del Teatro alla Scala, Milano/Victor de Sabata, Alvaro Cordova, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | C Major | 2 | 8B | 111 BPM | ||
| Morgiane, ou, Le sultan d'Ispahan, Act II: Introduction - Ouvrons le marché - Live | Edmond Dede, Taylor White, OperaCréole Ensemble, Opera Lafayette Orchestra, Patrick Dupre Quigley, Givonna Joseph | G Major | 1 | 9B | 109 BPM | ||
| Orfeo ed Euridice: Act I, Scene 2, Amore: Gli sguardi trattieni | Christoph Willibald Gluck, René Jacobs, Maria Cristina Kiehr, Freiburger Barockorchester | B Minor | 0 | 10A | 70 BPM | ||
| Carmen / Act 1: Tu la verras! Eh bien! | Georges Bizet, Katia Ricciarelli, José Carreras, Jean Barney, Danièle Ajoret, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 73 BPM | ||
| Manon Lescaut / Act 4: Tutta su me ti posa | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Metropolitan Opera Orchestra, James Levine | B Minor | 0 | 10A | 77 BPM | ||
| Puccini: Tosca, Act 1: "Il cannon del castello!" (Cavaradossi, Angelotti, Sagrestano, Coro) | Giacomo Puccini, Victor de Sabata, Coro Del Teatro Alla Scala Di Milano, Franco Calabrese, Giuseppe Di Stefano, Melchiorre Luise, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 2 | 6B | 89 BPM |