Steve Carter's ' "Emerging From The Darkness" was released on its scheduled release date, June 29, 2024. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Steve Carter's "Murder Mystery" album is number 14 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Emerging From The Darkness is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Emerging From The Darkness by Steve Carter to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Know What You Want | Jakwob, James Jacob | F Minor | 1 | 4A | 110 BPM | ||
| What Good Am I to You? - Soundtrack from the Netflix Series | Kris Bowers | C Major | 2 | 8B | 124 BPM | ||
| Cause for Concern | Howard Harper-Barnes | B Minor | 3 | 10A | 120 BPM | ||
| Margo and Sergei | Jeff Russo, Paul Doucette | B♭ Minor | 0 | 3A | 72 BPM | ||
| Aforementioned Love | Howard Harper-Barnes | D♭ Major | 1 | 3B | 81 BPM | ||
| Dancing on Fire | Michael Vignola | B♭ Minor | 0 | 3A | 74 BPM | ||
| Fields/Daphne | Philip Ekström | G Minor | 2 | 6A | 69 BPM | ||
| Amazing Adventures | Atli Örvarsson | A Major | 3 | 11B | 140 BPM | ||
| Felicidad | Steve Carter | D Major | 2 | 10B | 103 BPM | ||
| Emma T Wilde | Anne Nikitin, Jessica Jones, Tim Morrish | B♭ Major | 3 | 6B | 137 BPM | ||
| Cementerio | Federico Jusid, Ale Martí | B♭ Major | 1 | 6B | 100 BPM | ||
| Tell Me to Leave | Drum & Lace | G Major | 1 | 9B | 85 BPM | ||
| Spongy Hammer | Muted | D Minor | 3 | 7A | 132 BPM | ||
| Buckingham Palace | Drum & Lace | A♭ Major | 1 | 4B | 127 BPM | ||
| The Autumn Tree | Abel Korzeniowski | F Major | 4 | 7B | 86 BPM | ||
| Moonlit Dance | Paolo Maddaloni, Steve Carter | C Minor | 5 | 5A | 120 BPM | ||
| You Can Do This | Tim Despic | B Major | 3 | 1B | 60 BPM | ||
| As If She Was Still Here | Anne Nikitin, Jessica Jones, Tim Morrish | E♭ Major | 2 | 5B | 165 BPM | ||
| Because You Love Me | Blake Neely | E♭ Major | 1 | 5B | 118 BPM | ||
| Confident | Steve Carter | F♯ Major | 3 | 2B | 178 BPM | ||
| End | Stephen Rennicks | E♭ Major | 0 | 5B | 73 BPM | ||
| Unbearable Loss | Lorne Balfe | G Minor | 3 | 6A | 169 BPM | ||
| Cortege | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 83 BPM | ||
| Blow Poke | Danny Bensi and Saunder Jurriaans | A Minor | 1 | 8A | 66 BPM | ||
| A Royal Command - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 82 BPM |