Malcolm Arnold, Queensland Symphony Orchestra, Andrew Penny's ' "English Dances, Set 2, Op. 33: No. 2. Con brio" was released on its scheduled release date, June 7, 1996. With This song being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 24 in Arnold, M.: Dances by Malcolm Arnold. Based on our statistics, English Dances, Set 2, Op. 33: No. 2. Con brio's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of English Dances, Set 2, Op. 33: No. 2. Con brio by Malcolm Arnold, Queensland Symphony Orchestra, Andrew Penny is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonatina for Clarinet and Piano: Allegro con brio | Malcolm Arnold, Arthur Campbell, Helen Marlais | D Minor | 1 | 7A | 138 BPM | ||
| Spartacus: Adagio of Spartacus and Phrygia | Aram Khachaturian, Queensland Symphony Orchestra, Patrick Thomas | G Major | 1 | 9B | 76 BPM | ||
| Arabesque | Samuel R. Hazo, Midwest Wind Ensemble | F Minor | 4 | 4A | 104 BPM | ||
| Come Sunday: II. Shout! | Omar Thomas, United States Marine Band, Ryan Nowlin | C Minor | 6 | 5A | 139 BPM | ||
| The Carnival of Venice | Jean Babtiste Arban, Philippe Schartz | D Major | 3 | 10B | 140 BPM | ||
| Southern Hymn | Samuel R. Hazo, Midwest Wind Ensemble | E♭ Major | 3 | 5B | 56 BPM | ||
| Festival Variations | Claude T. Smith, The United States Air Force Academy Band, Arnald D. Gabriel | G Minor | 4 | 6A | 105 BPM | ||
| Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | B♭ Major | 3 | 6B | 89 BPM | ||
| English Dances, Set 1, Op. 27: No. 1. Andantino | Malcolm Arnold, Queensland Symphony Orchestra, Andrew Penny | D Major | 1 | 10B | 76 BPM | ||
| Overture (From "Wonderful Town") [Arr. C. Harmon for Orchestra] | Leonard Bernstein, Orquestra Sinfônica do Estado de São Paulo, Marin Alsop | G Major | 3 | 9B | 96 BPM | ||
| Danzas Cubanas | Robert Sheldon, Japan Maritime Self-Defense Force Tokyo Band, Hiroyuki Tezuka | C Minor | 3 | 5A | 136 BPM | ||
| Deciduous - Live | Viet Cuong, 2023 FMEA All-State 11/12 Symphonic Band, Emily Threinen | G Minor | 1 | 6A | 119 BPM | ||
| Illumination | David Maslanka, Utah Wind Symphony, Scott Hagen | D♭ Major | 2 | 3B | 87 BPM | ||
| Symphony No. 7: II. Slow | David Maslanka, North Texas Wind Symphony, Eugene Migliaro Corporon | D Minor | 0 | 7A | 57 BPM | ||
| Symphony No. 2 in B Minor: IV. Finale | Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | D Major | 1 | 10B | 129 BPM | ||
| Steampunk Suite: IV. Barnum and Tesla's Tandem Bicycle (Live) | Erika Svanoe, Ohio State University Wind Symphony, Brian Doyle | F♯ Minor | 1 | 11A | 149 BPM | ||
| Divertimento: V. Turkey Trot. Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 82 BPM | ||
| First suite in Eb Op.28 No1 March | The Band of Her Majesty's Royal Marines Portsmouth | A♭ Major | 4 | 4B | 124 BPM | ||
| English Folk Song Suite: III. Intermezzo "My Bonny Boy" | Ralph Vaughan Williams, Timothy Reynish, Royal Northern College Of Music Wind Orchestra | C Minor | 0 | 5A | 90 BPM | ||
| The Bridge on the River Kwai: II. Colonel Bogey | Malcolm Arnold, Richard Hickox, London Symphony Orchestra | D Major | 3 | 10B | 123 BPM | ||
| Overture: Overture | Grażyna Bacewicz, BBC Symphony Orchestra, Sakari Oramo | B Major | 0 | 1B | 112 BPM | ||
| St. Paul's Suite, Op. 29, No. 2: I. Jig | Gustav Holst, Bournemouth Sinfonietta, Richard Studt | D Minor | 2 | 7A | 84 BPM | ||
| Sasparilla | John Mackey, North Texas Wind Symphony, Eugene Migliaro Corporon | F Major | 3 | 7B | 148 BPM | ||
| Firefly | Ryan George, Eugene Migliaro Corporon, North Texas Wind Symphony | C Major | 1 | 8B | 79 BPM | ||
| Shenandoah | Omar Thomas, Texas All-State 5A Symphonic Band, Damon Talley | D♭ Major | 3 | 3B | 81 BPM |