Ricky Lynn Gregg's ' "After The Fire Is Gone" was released on its scheduled release date, January 1, 1994. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ricky Lynn Gregg's "Get A Little Closer" album is number 1 out of 10. On top of that, United States appears to be the country where this track was created. Based on our statistics, After The Fire Is Gone's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of After The Fire Is Gone by Ricky Lynn Gregg to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shoulder to Cry On | Heather Myles | B♭ Major | 5 | 6B | 93 BPM | ||
| Never Wanted to Hurt You | L & J, Danny Cosby Jr. | E Major | 7 | 12B | 80 BPM | ||
| She Took It Like a Man - Remastered Version | Confederate Railroad | G Major | 6 | 9B | 124 BPM | ||
| Good Times Will Stay | Will Banister | D Major | 5 | 10B | 90 BPM | ||
| She's Still In Dallas | Hal Ketchum | E Major | 9 | 12B | 144 BPM | ||
| When You Walk in the Room | Pam Tillis | E♭ Major | 7 | 5B | 123 BPM | ||
| Walk in the footsteps (of my dad) | Don Redmon | E Major | 8 | 12B | 124 BPM | ||
| Living In A House Full Of Love | Gary Allan | C Major | 9 | 8B | 167 BPM | ||
| Westvilles the Road House | Melanie Fahrion | G Major | 5 | 9B | 156 BPM | ||
| Tears On Their Faces | Elvis Barker | E Major | 5 | 12B | 94 BPM | ||
| This Time | Sawyer Brown | D♭ Major | 8 | 3B | 167 BPM | ||
| Fewer Threads Than These | Dan Seals | F Major | 3 | 7B | 136 BPM | ||
| If We Can't Have Forever (Let's Take Tonight) | John Schneider | A Major | 2 | 11B | 90 BPM | ||
| You've Taken Me Places I Wish I've Never Been | Heather Myles | A Major | 8 | 11B | 160 BPM | ||
| Fighting For You | Pirates Of The Mississippi | D Major | 3 | 10B | 180 BPM | ||
| Through the Eyes of A Fool | Buddy Jewell | D Major | 4 | 10B | 136 BPM | ||
| Old One Better | Tracy Byrd | F Major | 8 | 7B | 134 BPM | ||
| I´ll Be Your Suga Daddy | Arly Karlsen | B Major | 7 | 1B | 90 BPM | ||
| Dog House Blues | Ricky Lynn Gregg | A Major | 7 | 11B | 128 BPM | ||
| Flow bear | James Whitex | A Major | 6 | 11B | 120 BPM | ||
| I Am A Stranger Here Myself | Perfect Stranger | E Major | 3 | 12B | 80 BPM | ||
| Squeeze Box | Mark Wills | A Major | 8 | 11B | 161 BPM | ||
| TORNADO | Ricky Lynn Gregg | F♯ Major | 9 | 2B | 141 BPM | ||
| Keep It Up | Mark Collie | D♭ Minor | 7 | 12A | 130 BPM | ||
| Another Day Gone | Hal Ketchum | G Major | 3 | 9B | 134 BPM |