Ranjani-Gayatri, H. N. Baskar, K. Arun Praksh's ' "Enadu Manam - Harikambhoji - Adi (Live)" was released on its scheduled release date, July 15, 2005. This song is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The track order of this song in Ranjani-Gayatri's "Manaswini (Live)" album is number 4 out of 12. On top of that, India appears to be the country where this track was created. Based on our statistics, Enadu Manam - Harikambhoji - Adi (Live)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Enadu Manam - Harikambhoji - Adi (Live) by Ranjani-Gayatri, H. N. Baskar, K. Arun Praksh to be Allegro (fast, quick, and bright) because the track has a tempo of 149 BPM, a half-time of 74BPM, and a double-time of 298 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhavayami | Participants Of South India Female Choir | F Major | 6 | 7B | 148 BPM | ||
| Thiruppugazh | V2S2 | G Major | 5 | 9B | 128 BPM | ||
| Sri Subramanya Swami Karavalambam | Randhnini Roshini | D Major | 3 | 10B | 180 BPM | ||
| Natha Ghari Nache Majha Sakha Pandurang - Vitthalachi Gani | Mandar Apte | A Major | 6 | 11B | 91 BPM | ||
| Athma Rama Anandha Ramana - Adi | Udaiyalur Kalyanaraman | A Minor | 3 | 8A | 120 BPM | ||
| Maargazhi Thingal | Sikkil Gurucharan | D Major | 6 | 10B | 90 BPM | ||
| Shiva Ashtottara Shatanamavali | Ravi Prakash | G Major | 3 | 9B | 80 BPM | ||
| Lakshmi Ashtotharam | Nitya Santoshini, Gayathri | D Minor | 2 | 7A | 126 BPM | ||
| Ksheerasagara Vihara | Vedavathi Prabhakar | G Major | 6 | 9B | 162 BPM | ||
| Shivopasana Mantra Nidhana Pataye Namaha | Sri Sathya Sai Official | A♭ Major | 6 | 4B | 101 BPM | ||
| Anjaneya Dandakam | Bheri Umamahesh | F Major | 0 | 7B | 130 BPM | ||
| Sri Varahi Nigrahastakam | Bhandhavi | B♭ Minor | 7 | 3A | 112 BPM | ||
| Sita Kalyana Vaibhogame | Aishwarya Srinivas | E♭ Major | 5 | 5B | 75 BPM | ||
| Krishna Krishna Mukunda Janardana | Sivasri Skandaprasad | E♭ Major | 8 | 5B | 125 BPM | ||
| Ennasolli - Kaanada - Adi | Ranjani, Gayatri | F♯ Major | 5 | 2B | 155 BPM | ||
| Vina Venkatesam | Mallika Dharnana | A Major | 2 | 11B | 131 BPM | ||
| Sri Runa Vimochana Narasimha Stothram | Malola Kannan | D♭ Major | 3 | 3B | 115 BPM | ||
| Margabandu Stothram | Usha Seturaman | D Major | 4 | 10B | 98 BPM | ||
| Vagdevi Mamava | T. M. Krishna | G Major | 6 | 9B | 149 BPM | ||
| Chamakam | T.Sivaprasad, R.V. Sathyanarayanamurthy | A Major | 7 | 11B | 101 BPM | ||
| Sri Mahalakshmi Suprabatham | Dr. R. Thiagarajan | C Major | 4 | 8B | 117 BPM | ||
| Sri Annapurna Stothram | Nithya Santhoshini | F Major | 7 | 7B | 102 BPM | ||
| Paluke Bangaramayena | Parupalli Sri Ranganath | D Minor | 5 | 7A | 117 BPM | ||
| Neela Suktam | T.Sivaprasad, R.V. Sathyanarayanamurthy | A Major | 4 | 11B | 109 BPM | ||
| Sri Mahalakshmi Ashtakam | Parupalli Sri Ranganath | C Major | 3 | 8B | 79 BPM |