Chris Rea's ' "Love's Strange Ways" was released on its scheduled release date, July 18, 1983. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Water Sign by Chris Rea. The song's track number on the album is #4 out of 10 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Love's Strange Ways's popularity is average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Love's Strange Ways by Chris Rea has a tempo of 123 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Love's Strange Ways being at 123 BPM, the half-time would be 62 BPM with a double-time of 246 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Too Beautiful to Lose | Lucian Saint James | B♭ Minor | 4 | 3A | 71 BPM | ||
| Josie | Oscar Benton | D Major | 6 | 10B | 126 BPM | ||
| En Aranjuez Con Tu Amor | Carlos Santana | C Minor | 3 | 5A | 144 BPM | ||
| Lights in the Night | Flash and the Pan | B♭ Minor | 4 | 3A | 71 BPM | ||
| Giverny | Chris Rea | F Major | 3 | 7B | 120 BPM | ||
| Can't Run from Yourself | Hanne Boel | G Minor | 8 | 6A | 92 BPM | ||
| Forever Long | Eva Carboni | A Minor | 5 | 8A | 144 BPM | ||
| Waiting for the Night to Turn Blue | Tony Tucker | B Minor | 6 | 10A | 165 BPM | ||
| Highway Town | John Haydock | C Major | 5 | 8B | 120 BPM | ||
| Tina | Tony Joe White | D Major | 2 | 10B | 97 BPM | ||
| Don't Explain | Beth Hart, Joe Bonamassa | C Minor | 4 | 5A | 75 BPM | ||
| Can't Break Free | Paul Anka | D Major | 5 | 10B | 172 BPM | ||
| The Sign | Red Box | D Minor | 6 | 7A | 85 BPM | ||
| The Bluest Blues - Remastered | Alvin Lee | A Minor | 5 | 8A | 145 BPM | ||
| Soft Poison | JamBeats | B Minor | 5 | 10A | 180 BPM | ||
| The Earth & the Sky | The Savage Rose | E Minor | 8 | 9A | 83 BPM | ||
| Here's the Part | Michelle Gurevich | E Minor | 7 | 9A | 108 BPM | ||
| Lily Was Here | Candy Dulfer | B Minor | 8 | 10A | 106 BPM | ||
| Gone Fishing | Chris Rea | C Major | 4 | 8B | 144 BPM | ||
| I Think of You - E Penso a Te | Tanita Tikaram | D♭ Major | 2 | 3B | 140 BPM | ||
| After Hours | Glenn Frey | D Major | 2 | 10B | 186 BPM | ||
| All Would Envy (feat. Shawn Colvin) | Chris Botti, Shawn Colvin | E Minor | 6 | 9A | 83 BPM | ||
| At the Very Mention of Your Name | Gilbert O'Sullivan | B♭ Major | 4 | 6B | 90 BPM | ||
| Parlez Vous | The Capitols | C Minor | 7 | 5A | 130 BPM | ||
| Paradise | Black | F♯ Major | 3 | 2B | 167 BPM |