Tubby Hayes's ' "Room 608" was released on its scheduled release date, 2001. This song is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The song is number 3 out of 15 in British Modern Jazz Scene 1956 by Tubby Hayes, Vic Ash Quartet, New Jazz Group. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Room 608 is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Room 608 by Tubby Hayes is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Johnny Alf - En Vivo | La Musimedios Big Band | B Minor | 6 | 10A | 110 BPM | ||
| Killer Joe | Art Farmer & Benny Golson Jazztet | F Major | 2 | 7B | 110 BPM | ||
| I Don't Care | Junior Mance | D♭ Major | 1 | 3B | 129 BPM | ||
| A Pint Of Bitter | Tubby Hayes | A♭ Major | 3 | 4B | 111 BPM | ||
| Dippin' In The Bag | Fred Jackson | E♭ Minor | 3 | 2A | 159 BPM | ||
| Shoreline Promontory | BitSwing | E♭ Major | 0 | 5B | 92 BPM | ||
| Family Joy, Oh Boy !, Pt. 3 | Michael Gibbs | D♭ Major | 6 | 3B | 88 BPM | ||
| Come Back To Me | Shirley Scott | A♭ Major | 3 | 4B | 33 BPM | ||
| Maid in Sweden - Remastered | Gunnar Johansson Quintet | E♭ Major | 7 | 5B | 118 BPM | ||
| She Laughed at Everything | Moss & Marrow | F Minor | 1 | 4A | 107 BPM | ||
| Golden Horn Jam | Horn Society | F Major | 2 | 7B | 61 BPM | ||
| Spring Harmony | Blooming Keys | C Minor | 2 | 5A | 113 BPM | ||
| Weight of the Unseen | Luna Devera | E Minor | 3 | 9A | 108 BPM | ||
| Late Farewell | Groovewell | F Minor | 3 | 4A | 160 BPM | ||
| Night After Night | Nat Adderley, The Big Sax Section | F Minor | 0 | 4A | 53 BPM | ||
| Up In The Blues | Freddie Green | C Major | 4 | 8B | 197 BPM | ||
| Lament of the Sands | Orión Natera | D♭ Major | 3 | 3B | 175 BPM | ||
| Lucy (With the Curly Hair) | Gary Cole Quartet | F♯ Minor | 5 | 11A | 108 BPM | ||
| The Thin Line | Fifth Window | B Major | 1 | 1B | 88 BPM | ||
| Trumpet With Sunset | Vivandis | F Major | 3 | 7B | 174 BPM | ||
| City Streets | Jazz Pulse FM | G Minor | 3 | 6A | 97 BPM | ||
| Creole Rhapsody | Malo Mazurié, Noé Huchard, Raphaël Dever, David Grebil | B♭ Minor | 2 | 3A | 101 BPM | ||
| Spirits of the Ancestors | Elian Tumbao | G Minor | 5 | 6A | 129 BPM | ||
| Mint Julep Jazz | Dolce Vita | E♭ Minor | 3 | 2A | 116 BPM | ||
| Goulden Earrings | Austyn Ziemann | A Minor | 2 | 8A | 104 BPM |