"#207" by 樽木栄一郎 had its release date on September 26, 2012. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in 樽木栄一郎's "Mederu" album is number 6 out of 13. On top of that, Japan appears to be the country where this track was created. In terms of popularity, #207 is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of #207 by 樽木栄一郎 to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| この空をすべて君に | Hiroya Ozaki | A♭ Major | 5 | 4B | 80 BPM | ||
| finger drawing | Eiichirou Taruki | C Major | 4 | 8B | 170 BPM | ||
| flow | なつきとしょうこ | C Major | 3 | 8B | 73 BPM | ||
| 息切れの恋 | GOOD BYE APRIL | D Minor | 7 | 7A | 91 BPM | ||
| ブラウニー | ベベチオ | B♭ Major | 7 | 6B | 127 BPM | ||
| マリーゴールド | Orange Pekoe | B Minor | 5 | 10A | 90 BPM | ||
| ナラタージュ | adieu | A Major | 3 | 11B | 66 BPM | ||
| 百億光年 | LOZAREENA | A♭ Major | 7 | 4B | 162 BPM | ||
| 朝顔 | Yuta Orisaka | E Major | 5 | 12B | 72 BPM | ||
| 海底の修羅 | Kyohei Sakaguchi | E Major | 2 | 12B | 144 BPM | ||
| FISHANDCHIPS | Toko Miura | D♭ Minor | 8 | 12A | 110 BPM | ||
| とりどり | Eiichirou Taruki | G Major | 2 | 9B | 142 BPM | ||
| まとめを読まないままにして | KUKIKODAN | E Minor | 5 | 9A | 80 BPM | ||
| 深層 | Yoshiko Hanzaki | D♭ Major | 2 | 3B | 144 BPM | ||
| SAKURAドロップス | キンモクセイ | D Minor | 6 | 7A | 140 BPM | ||
| sakura | Sakura Fujiwara | D Major | 5 | 10B | 80 BPM | ||
| 街の人 | Lucky Old Sun | A Major | 5 | 11B | 134 BPM | ||
| 記憶の破片 feat.原田郁子(clammbon) | NONA REEVES, Ikuko Harada | G Major | 5 | 9B | 79 BPM | ||
| 帰っておいで | 青谷明日香 | F Major | 4 | 7B | 174 BPM | ||
| ロマンスをもう一度 | Miyuki Hatakeyama | C Major | 3 | 8B | 110 BPM | ||
| ゴルフ | Kyohei Sakaguchi | E Major | 5 | 12B | 151 BPM | ||
| プールの青は嘘の青 | Shiho Nanba | F♯ Minor | 6 | 11A | 206 BPM | ||
| 柿の歌 | Saho Terao | D Major | 1 | 10B | 119 BPM | ||
| 異邦人 | Eiichiro Taruki | B♭ Minor | 4 | 3A | 93 BPM | ||
| ひとりぼっちはやめた | Hikari Mitsushima | A♭ Major | 5 | 4B | 122 BPM |