Tim Stop's 'London (Live In Edmonton)' had a release date set for July 14, 2014. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 8 in the song's album "Shadowbox". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, London (Live In Edmonton)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With London (Live In Edmonton) by Tim Stop having a BPM of 149 with a half-time of 74 BPM and a double-time of 298 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| There's Only One Of You | Nathan Sykes | C Major | 5 | 8B | 93 BPM | ||
| My Favorite | Gabe Dixon | E Major | 9 | 12B | 142 BPM | ||
| Your Man | Five For Fighting | A♭ Major | 9 | 4B | 136 BPM | ||
| Cross Me - Acoustic | Ben Weighill | F♯ Minor | 5 | 11A | 186 BPM | ||
| Feeling Fine | Dylan Rockoff | A♭ Major | 5 | 4B | 174 BPM | ||
| Adorn - The Voice Performance | Cole Vosbury | D Major | 6 | 10B | 85 BPM | ||
| Wondering Where You Are | Tyrone Wells | D Major | 7 | 10B | 164 BPM | ||
| Right Where I Should Be | Us The Duo | C Major | 5 | 8B | 95 BPM | ||
| Feeling Fine (Acoustic Version) | Dylan Rockoff | A♭ Major | 4 | 4B | 90 BPM | ||
| Walls | Trevor Holmes | B Minor | 7 | 10A | 100 BPM | ||
| Used To Be | Matt Nathanson | G Major | 7 | 9B | 92 BPM | ||
| All On Me - Recorded at Spotify Studios NYC | Devin Dawson | E Major | 4 | 12B | 80 BPM | ||
| Loving You | North of Nine | F Major | 5 | 7B | 166 BPM | ||
| Honey, I'm Coming Home | Dave Barnes | G Major | 7 | 9B | 116 BPM | ||
| Gravity | Leo Stannard, Frances | D♭ Major | 4 | 3B | 95 BPM | ||
| Hey There, Liquor | Tim Riehm | D♭ Minor | 5 | 12A | 80 BPM | ||
| Naked | Jake Scott | G Minor | 6 | 6A | 100 BPM | ||
| Finest Hour - New Version | Gavin DeGraw | C Major | 6 | 8B | 176 BPM | ||
| 1200 Days | Erick Baker | C Major | 2 | 8B | 130 BPM | ||
| Chasing Dreams | Dave Barnes | C Major | 4 | 8B | 136 BPM | ||
| Lookin' Up (From "Songland") | Max Embers | D♭ Major | 5 | 3B | 90 BPM | ||
| Into the Bright Lights | Chris Trapper | D Major | 6 | 10B | 50 BPM | ||
| Everybody's Got Somebody but Me | Bryan Lazar | F Major | 6 | 7B | 110 BPM | ||
| How Sweet It Is | Stephen Day, Scott Mulvahill | C Major | 4 | 8B | 112 BPM | ||
| Unreal | Filmore | B Minor | 6 | 10A | 104 BPM |