Rod Taylor's ' "Come to Me" was released on its scheduled release date, August 18, 2015. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Trust in Jah (Deluxe)". In this album, this song's track order is #7. In terms of popularity, Come to Me is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Come to Me by Rod Taylor having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mr. Bossman | Cultural Roots | D♭ Major | 7 | 3B | 133 BPM | ||
| Time Is A Moment In Space | Wayne Smith | A♭ Major | 5 | 4B | 75 BPM | ||
| Mercy Gone | Witness, The 18th Parallel | D Minor | 6 | 7A | 110 BPM | ||
| Rasta Come From Zion aka Rastaman Say | Junior Ross & The Spears | G Major | 8 | 9B | 145 BPM | ||
| Love Feelings | Cultural Roots | B♭ Minor | 4 | 3A | 73 BPM | ||
| Golden Pen | Sylford Walker, Rachaad Amarjii | B Major | 7 | 1B | 125 BPM | ||
| Gweh Wid Babylon | Echoes Of Babylon | G Major | 6 | 9B | 140 BPM | ||
| Wicked Man | Lacksley Castell | A Major | 2 | 11B | 80 BPM | ||
| Rat a Cut Bottle | Lion Youth | G Major | 5 | 9B | 132 BPM | ||
| Iration | Daweh Congo | A Major | 7 | 11B | 140 BPM | ||
| I Put My Trust In Jah | Peter Broggs | D♭ Major | 9 | 3B | 141 BPM | ||
| Brand New | Earl Cunningham | C Major | 5 | 8B | 135 BPM | ||
| Who? - 2016 Remastered | Pablo Moses | D Major | 4 | 10B | 133 BPM | ||
| Arleen | Rod Taylor | G Major | 6 | 9B | 137 BPM | ||
| What Makes a Natty Dread Cry | Pablo Gad | F♯ Minor | 3 | 11A | 119 BPM | ||
| ARISTOCRAT | Reggae Regular | D♭ Major | 3 | 3B | 137 BPM | ||
| More Than You Can Chew | Pablo Moses | D♭ Minor | 5 | 12A | 75 BPM | ||
| Where Is Your Love Mankind | Rod Taylor | F♯ Minor | 8 | 11A | 142 BPM | ||
| Population | Knowledge | D♭ Major | 9 | 3B | 136 BPM | ||
| What a Fire | Leroy Brown | A♭ Major | 8 | 4B | 149 BPM | ||
| Money Is Not All | Mike Brooks, Mafia and Fluxy | G Minor | 6 | 6A | 86 BPM | ||
| Step In but First Wash Off | The Dreadlights | G Major | 2 | 9B | 132 BPM | ||
| Walls of the City | Earl 16, Manasseh | A♭ Minor | 5 | 1A | 140 BPM | ||
| Wolf | Jamie Irie, Martin Campbell | B♭ Minor | 4 | 3A | 78 BPM | ||
| Bad Days Are Going | Johnny Clarke | F Minor | 5 | 4A | 129 BPM |