Jay Price's ' "The Con" was released on its scheduled release date, July 1, 2006. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. The Con's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "The Hustle And Con". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Con's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The Con by Jay Price having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Highwaymen (End Title) | Thomas Newman | D Major | 3 | 10B | 130 BPM | ||
| Celtics in Disguise | Trabant 33 | E Minor | 7 | 9A | 127 BPM | ||
| Decisions | Adrián Berenguer | C Minor | 6 | 5A | 97 BPM | ||
| Hotel Amari | Chris Benstead | D Major | 3 | 10B | 102 BPM | ||
| I Am The Clock (12 Monkeys Suite) | Trevor Rabin, Paul Linford | D Minor | 3 | 7A | 145 BPM | ||
| Original Score Medley | David Holmes | F Major | 7 | 7B | 84 BPM | ||
| Movin' With It | Mike Franklyn | D Minor | 8 | 7A | 87 BPM | ||
| Steampunk Telegram | Cirque du Soleil | C Minor | 0 | 5A | 78 BPM | ||
| Eventuality | James Gameboy | D Minor | 3 | 7A | 110 BPM | ||
| Catch Me If You Can | Paul Reeves, Jay Price | D Minor | 2 | 7A | 154 BPM | ||
| After the Freak Show | Luella Gren | G Minor | 4 | 6A | 154 BPM | ||
| Oyun Daha Yeni Başlıyor | Ender Gündüzlü, Metin Arıgül, Can Sanıbelli | G Minor | 0 | 6A | 160 BPM | ||
| Playing with Light | Roie Shpigler, Nono | B Minor | 5 | 10A | 126 BPM | ||
| The Dark Wizard | Christoffer Moe Ditlevsen | G Minor | 5 | 6A | 100 BPM | ||
| Amuse Bouche (Reprise) | Colin Stetson, Chloe Eustache, Greg Fox, Matt Combs | C Minor | 4 | 5A | 150 BPM | ||
| A Strange Dream | V.V. Campos | C Major | 3 | 8B | 116 BPM | ||
| No Way Out | Universal Production Music | A Minor | 3 | 8A | 123 BPM | ||
| Reload | Jay Price | E Minor | 4 | 9A | 100 BPM | ||
| Brightest Day | Jay Price | C Minor | 6 | 5A | 80 BPM | ||
| Infra | Jay Varton | A Minor | 5 | 8A | 210 BPM | ||
| Barbary Coast | Reza Safinia, H. Scott Salinas | A Minor | 5 | 8A | 82 BPM | ||
| Playing Hooky | Paul Reeves, Jay Price, Sketch Music | A Minor | 6 | 8A | 98 BPM | ||
| Nara (Theme to Cold Case) | E.S. Posthumus | A Minor | 4 | 8A | 150 BPM | ||
| Arriving in Ancient Rome | Kikoru | D Major | 5 | 10B | 77 BPM | ||
| Boyd & Ava | Marc Bonilla | A Minor | 4 | 8A | 120 BPM |