Sonata a tre in D Major, WoO 7: I. Largo by Arcangelo Corelli, Rémy Baudet, Sayuri Yamagata, Frank Wakelkamp, David Van Ooijen, Pieter-Jan Belder Song Details

"Sonata a tre in D Major, WoO 7: I. Largo" by Arcangelo Corelli, Rémy Baudet, Sayuri Yamagata, Frank Wakelkamp, David Van Ooijen, Pieter-Jan Belder had its release date on 2010. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 102 out of 336 in Corelli: Complete Edition by Arcangelo Corelli, Musica Amphion, Rémy Baudet, Pieter-Jan Belder. Based on our statistics, Sonata a tre in D Major, WoO 7: I. Largo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Sonata a tre in D Major, WoO 7: I. Largo by Arcangelo Corelli, Rémy Baudet, Sayuri Yamagata, Frank Wakelkamp, David Van Ooijen, Pieter-Jan Belder is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.

Music Key

C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -20.104 dB
Acousticness: 62%
Danceability: 16%
Energy: 3%
Instrumentalness: 0%
Liveness: 9%
Loudness: 66%
Speechiness: 5%
Valence: 7%

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