On June 10, 2022, the song "Karte Hain Mere Jhulan" was released by Amit Rajpal. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Karte Hain Mere Jhulan and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. In terms of popularity, Karte Hain Mere Jhulan is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Karte Hain Mere Jhulan by Amit Rajpal to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhor Bhayi Maa | Sonu Nigam | F♯ Major | 9 | 2B | 150 BPM | ||
| Ram Ko Dekh Kar Shri Janak Nandini LOFI | Ravi Raj, Bhakti Naam Ras | E♭ Major | 5 | 5B | 135 BPM | ||
| Hamare Saath Jab Raghunath | Kumar Vishwas | D♭ Major | 4 | 3B | 94 BPM | ||
| Chalo Nand Yashoda Ke Dwar(Janmashtami Special) | Dhruv Sharma, Swarna Shri | F Minor | 7 | 4A | 88 BPM | ||
| Bandha Tha Dropadi Ne Tumhein Chaar Taar Mein | Prem Bhushan Maharaj | D Major | 4 | 10B | 116 BPM | ||
| Tumse Laagi Lagan | Anjali Jain, Namita Jain, Anubhav Kapil | E♭ Minor | 4 | 2A | 115 BPM | ||
| Bajarangi Laye Khabariya Ram Aate Nagariya | Pujya Rajan Ji Official | E♭ Major | 6 | 5B | 128 BPM | ||
| Bans Ki Bansuriya Pe | Dolly Sharma | F♯ Major | 7 | 2B | 97 BPM | ||
| Radha Rani Tum Ho | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Major | 7 | 4B | 147 BPM | ||
| Man Tera Mandir Ankhen Diya Bati | Mahendra Kapoor, Dilraj Kaur | G Major | 6 | 9B | 99 BPM | ||
| Pakad Lo Hath Banwari | Rekha Rao | D♭ Minor | 6 | 12A | 170 BPM | ||
| Hara Hun Sath Nibhao Na Baba | Kanhiya Mittal | A♭ Minor | 6 | 1A | 136 BPM | ||
| Mangal Bhawan Amangal Haari | chronically online | G Major | 5 | 9B | 79 BPM | ||
| Man akhbar ka ghataya hai | Shahnaz Akhtar | A♭ Major | 8 | 4B | 180 BPM | ||
| Ekali Khadi Re Meera Bai Ekali Khadi | Radha Krishna Maharaj | F Minor | 7 | 4A | 79 BPM | ||
| Meethi Meethi Mere Sanware Ki Murli Baaje | Upasana Mehta | F Minor | 7 | 4A | 82 BPM | ||
| Mere Sarkar Aaye Hain | Raj Pareek | C Major | 9 | 8B | 96 BPM | ||
| Apna Hari Hai Hazar Haathwala - With Dialogue | Lata Mangeshkar, Kalyanji-Anandji | A♭ Major | 6 | 4B | 83 BPM | ||
| Raghukul Reet Sada Chali Aayi | Satyendra Pathak | F Major | 7 | 7B | 82 BPM | ||
| Kabhi Ram Banke Kabhi Shyam Banke | Tripti Shakya | B Major | 8 | 1B | 165 BPM | ||
| Nanhe Nanhe Paon Mere | Sonu Nigam | C Major | 8 | 8B | 94 BPM | ||
| Bhole Tere Dar Pe Chale Ayenge | A-Jay M | C Major | 10 | 8B | 134 BPM | ||
| Meri Lagi Shaym Sang Preet Ye Duniya Kya Jane | Sanatana Sankirtan, Shyam Bihari Das, JayShree | B♭ Major | 4 | 6B | 92 BPM | ||
| Haare Ka Sahara | Raj Pareek | B♭ Major | 5 | 6B | 80 BPM | ||
| करुणा करो कष्ट हरो ज्ञान दो भगवन। | Mahesh Hiremath | A♭ Minor | 4 | 1A | 138 BPM |