"I. Largo" by Jean-Baptiste Quentin, Nevermind had its release date on March 18, 2016. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. I. Largo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 21 in Conversations by Nevermind. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, I. Largo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of I. Largo by Jean-Baptiste Quentin, Nevermind is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dixit Dominus, ZWV 66: Virgam virtutis tuae - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | D Minor | 1 | 7A | 66 BPM | ||
| Couperin, F: L'apothéose de Lully: La paix du Parnasse: I. Sonade en trio | François Couperin, John Eliot Gardiner, English Baroque Soloists | B Minor | 0 | 10A | 70 BPM | ||
| Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: VI. Allmandt | Dietrich Becker, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Wonner | D♭ Major | 2 | 3B | 79 BPM | ||
| Concerto in C Major, RV 400 (F.III No. 3): II. Largo | Antonio Vivaldi, Roel Dieltiens, Ensemble Explorations | D Minor | 0 | 7A | 74 BPM | ||
| "Sonate à quatre parties" In D Major: 2. Adagio | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 63 BPM | ||
| Concerto grosso in F Major Op. 6, No. 2: II. Allegro | Arcangelo Corelli, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Minor | 2 | 12A | 81 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: III. Grave | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| Sinfonia No. 6 in G Minor, Op. 5: I. Allegro | Johann Adolf Hasse, Le Concert de l'Hostel Dieu, Franck-Emmanuel Comte | B Major | 3 | 1B | 151 BPM | ||
| Sonata in D Minor for Violin and Continuo, Book III No. 10: III. Sarabanda | Jean-Baptiste Quentin, David Plantier, Les plaisirs du Parnasse | B♭ Minor | 2 | 3A | 143 BPM | ||
| Concerto No. 7 in G Minor After D. Scarlatti: IV. Allegro affettuoso | Charles Avison, Jeanne Lamon, Tafelmusik Baroque Orchestra | A♭ Major | 2 | 4B | 131 BPM | ||
| Purcell: The Fairy Queen, Z. 629, Act V: Chaconne | Henry Purcell, Jupiter, Thomas Dunford | B Minor | 1 | 10A | 68 BPM | ||
| Violin Sonata in A Major, Op. 5 No. 1: I. Adagio | Jean-Marie Leclair, Adrian Butterfield, Sarah McMahon, Silas Wollston | A♭ Major | 0 | 4B | 80 BPM | ||
| Concerto grosso No. 3 in D Minor: I. Largo andante (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 95 BPM | ||
| Mystery Sonata No. 6 "Christ on the Mount of Olives": I. Lamento | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B Major | 0 | 1B | 97 BPM | ||
| First Suite In A Minor (Premiere Suite, En La Mineur): Introduction (L'Entrevue) | Alexandre De Villeneuve | E♭ Major | 2 | 5B | 69 BPM | ||
| Concerto Armonico No. 4 in G Major: Largo | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 96 BPM | ||
| Concerto In A Major, Op.12, No.1: 3. Adagio | Jean-Baptiste Quentin, Musica Antiqua Köln, Reinhard Goebel | F Minor | 0 | 4A | 174 BPM | ||
| Overture in G Minor: VII. Rigaudon | Giuseppe Antonio Brescianello, La Cetra Barockorchester Basel, David Plantier, Vaclav Luks | F♯ Major | 1 | 2B | 172 BPM | ||
| Concerto for 2 Flutes in D Major, FWV L:D9: I. Allegro | Johann Friedrich Fasch, Jan De Winne, Sien Huybrechts, Il Gardellino | G Minor | 0 | 6A | 130 BPM | ||
| Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
| Aria malinconica (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM | ||
| Concerto No. 1 in D Major, SF 936 "La Cetra": II. Larghetto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D♭ Major | 1 | 3B | 106 BPM | ||
| Trio Sonata in B-Flat Major, BuxWV 255 | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin, Sophie Gent, Mélissande Corriveau | B♭ Major | 1 | 6B | 95 BPM | ||
| Concerto in A Major, Op. 12 No. 1: II. Allegro | Jean-Baptiste Quentin, Johannes Pramsohler, Ensemble Diderot | A♭ Major | 2 | 4B | 104 BPM | ||
| Telemann: Concerto for Oboe and Violin, TWV 52:c1: II. Allegro (Formerly Attributed to Vivaldi as RV Anh. 17) | Georg Philipp Telemann, Jaap Schröder, Michel Piguet, Concerto Amsterdam | F♯ Minor | 3 | 11A | 101 BPM |