Alonso Mudarra, Christopher Wilson's ' "Mudarra: Libros de música en cifra, Libro I: Pavana II, de Alexandre" was released on its scheduled release date, January 1, 1990. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vihuela Music from the Spanish Renaissance by Christopher Wilson. The song's track number on the album is #13 out of 31 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Mudarra: Libros de música en cifra, Libro I: Pavana II, de Alexandre is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Mudarra: Libros de música en cifra, Libro I: Pavana II, de Alexandre by Alonso Mudarra, Christopher Wilson has a tempo of 104 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Mudarra: Libros de música en cifra, Libro I: Pavana II, de Alexandre being at 104 BPM, the half-time would be 52 BPM with a double-time of 208 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Passepieds de Bretaigne | Pierre Francisque Carroubel, Le Poème Harmonique, Vincent Dumestre | A Minor | 2 | 8A | 128 BPM | ||
| Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
| The Queen's Galliard, P. 97 | John Dowland, Nigel North | A Minor | 1 | 8A | 107 BPM | ||
| Correnta quarta | Carlo Farina, Musica Antiqua, Christian Mendoze | G Minor | 1 | 6A | 74 BPM | ||
| Fantasia sexta | Francesco da Milano, Christopher Wilson, Shirley Rumsey | F Major | 1 | 7B | 123 BPM | ||
| Carillon | Ennemond Gaultier, Toyohiko Satoh | D♭ Minor | 1 | 12A | 58 BPM | ||
| Fantasia Resonans | Joachim van den Hove, The Newberry Consort, Paul O'Dette | F♯ Minor | 0 | 11A | 79 BPM | ||
| Terpsichore (arr. H. Baumer): La Canarie | Michael Praetorius, Hermann Bäumer, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Major | 1 | 9B | 105 BPM | ||
| Tres libros de música en cifra para vihuela - Libro 1: No. 13. Romenesca "O guárdame las vacas" (en cinco maneras) | Alonso Mudarra, Toyohiko Satoh | C Minor | 1 | 5A | 92 BPM | ||
| Sonata 13a | Bellerofonte Castaldi, Albane Imbs | E♭ Minor | 1 | 2A | 68 BPM | ||
| Suite in G Major: V. Capriccio | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | F♯ Major | 1 | 2B | 80 BPM | ||
| Praambulum | Jean-Baptiste Besard, Joachim Held | F♯ Minor | 1 | 11A | 87 BPM | ||
| Pieces de clavecin, Book 2, 6th Ordre: Les baricades misterieuses (Arr. Y. Imamura) | François Couperin, Yasunori Imamura | A Major | 2 | 11B | 76 BPM | ||
| Differencias sobre "Guarda me Las Vacas" | Luis de Narváez, Lutz Kirchhof | B♭ Major | 1 | 6B | 107 BPM | ||
| L'Orfeo, SV 318, Act I: Rosa del Ciel (Arr. Josep Maria Martí Duran) | Claudio Monteverdi, Josep Maria Martí Duran | C Major | 3 | 8B | 124 BPM | ||
| Suite in D minor: Gigue | Israel Golani | D♭ Minor | 0 | 12A | 125 BPM | ||
| Mascarade | Israel Golani | F♯ Minor | 0 | 11A | 76 BPM | ||
| La Canción del Emperador | Luis de Narváez, Dulces Exuviae, Bor Zuljan | F♯ Major | 1 | 2B | 75 BPM | ||
| Passemezzo for Lute & Bass Viol | Adrien Le Roy, Geneva Baroque Duo | B Major | 2 | 1B | 124 BPM | ||
| La vita fugge | Alonso Mudarra, Imma Einsingbach, Joachim Gassmann | F Minor | 1 | 4A | 116 BPM | ||
| So ben mi chi ha bon tempo | Cesare Negri, Baltimore Consort | G Minor | 1 | 6A | 130 BPM | ||
| Deux pièces en fa majeur: II. Ciacconna (II: 77-80) | Silvius Leopold Weiss, Bernhard Hofstötter, Dolores Costoyas | D♭ Minor | 1 | 12A | 90 BPM | ||
| Spagnoletta | Michael Praetorius, Les Musiciens De Saint-Julien, François Lazarevitch | G Minor | 1 | 6A | 76 BPM | ||
| Canzon la Gentile | Giovanni Paolo Cima, Harmonia Recorder Ensemble | C Major | 0 | 8B | 70 BPM | ||
| Terpsichore*: Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | F Major | 0 | 7B | 82 BPM |