"Variations on Old Psalm Tunes, Book 3: No. 12. I was glad" by George Dyson, Daniel Cook had its release date on January 1, 2016. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Variations on Old Psalm Tunes, Book 3: No. 12. I was glad's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "The Complete Organ Works of Sir George Dyson". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. Variations on Old Psalm Tunes, Book 3: No. 12. I was glad is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variations on Old Psalm Tunes, Book 3: No. 12. I was glad by George Dyson, Daniel Cook having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Serenade for Strings | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 89 BPM | ||
| Midnight Call | Alberto Moggi, Giuseppe Brittanni, Jacopo Polimeno, Brandt Martin, Royal Philarmonic Cunes | F Minor | 1 | 4A | 90 BPM | ||
| New World Suite (Reconstructed by A. Walker): IX. Berceuse | Ignatz Waghalter, State Symphony Orchestra "Novaya Rossiya", Alexander Walker | E♭ Major | 1 | 5B | 130 BPM | ||
| The Seasons, Op. 67: X. Barcarolle | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 2 | 11B | 98 BPM | ||
| Wiegenlied (Arr. Andrew Schultz) | Johannes Brahms, Adelaide Symphony Orchestra, Ron Spigelman | E♭ Major | 0 | 5B | 76 BPM | ||
| The Seasons, Op. 67: II. Scene 1, L'Hiver | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 2 | 11B | 98 BPM | ||
| Jesu dulcis memoria (Arr. Leopold Stokowski) | Tomás Luis de Victoria, Matthias Bamert, BBC Philharmonic | A Minor | 0 | 8A | 81 BPM | ||
| Two English Idylls | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 89 BPM | ||
| Serenade: Allegretto | William Mathias, Royal Ballet Sinfonia, Andrew Penny | E Minor | 0 | 9A | 118 BPM | ||
| Berceuse (Arr. For viola and piano) | Frank Bridge, Enikő Magyar, Tadashi Imai | B♭ Major | 0 | 6B | 83 BPM | ||
| Lloyd Webber: The Gardens at Eastwell "A Late Summer Impression" (Arr. Soudoplatoff for Violin and Strings) | William Lloyd Webber, Vilde Frang, Robin Ticciati, Deutsches Symphonie-Orchester Berlin | E Minor | 1 | 9A | 99 BPM | ||
| Love's Labour's Lost, Op.28: 3. Soliloquy 3: On a day, alack the day - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | B♭ Major | 1 | 6B | 103 BPM | ||
| The Macau Bride Ballet Suite, Op. 34: IV. The First Glance | Xiaogang Ye, Jia Lu, Macau Orchestra | E♭ Minor | 0 | 2A | 82 BPM | ||
| Choral Symphony: III. Largo | George Dyson, Elizabeth Watts, Caitlin Hulcup, Joshua Ellicott, Roderick Williams, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | E Minor | 1 | 9A | 76 BPM | ||
| Love Sleeping Alone | Ria Mbanefo | G Minor | 1 | 6A | 134 BPM | ||
| Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM | ||
| Miniature Dance Suite, Op. 124: Jig | Cecil Armstrong Gibbs, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 1 | 9B | 71 BPM | ||
| Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
| Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg | A Major | 0 | 11B | 80 BPM | ||
| Delius: Irmelin Prelude | Frederick Delius, Sir John Barbirolli, London Symphony Orchestra | D Major | 1 | 10B | 87 BPM | ||
| Four Songs for Sailors: II. Where Lies the Land? (Energico) | George Dyson, BBC Concert Orchestra | F Minor | 2 | 4A | 82 BPM | ||
| 5 Stücke im Volkston, Op. 102: No. 2, Langsam (Arr. Rot for Cello and Orchestra) | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | F Major | 0 | 7B | 95 BPM | ||
| The Canterbury Pilgrims: VIII. The Sergeant of the Law. The Franklin | George Dyson, Richard Hickox, London Symphony Orchestra, Yvonne Kenny, Robert Tear, Stephen Roberts, London Symphony Chorus, Malcom Hicks | A♭ Major | 1 | 4B | 93 BPM | ||
| Respighi: Trittico botticelliano: III. La Nascita di Venere | Ottorino Respighi, Hugh Wolff, Saint Paul Chamber Orchestra | D♭ Minor | 1 | 12A | 112 BPM |